Eyeless In Gaza NEW limited 2019 albumInk Horn/One Star|
Eyeless In Gaza album – 2018 album Winter Sang
Martyn Bates – 2017 solo album I Said to Love
Eyeless In Gaza: NEW ALBUM Ink Horn/One Star released December 5th, 2019
. Silvered Song / Mirror / Throw Water at the Sky / The Two Thorns / Comedown / Short Lives / Vostok / Song of the River / Radiance / Wild Lament / Soon Will be the Day / Ink Horn .
The album has been very favourably reviewed by Mike Barnes in MOJO magazine , April 2020 – out now (late February). It was also reviewed by Lee Henderson in Big Beautiful Noise and by Daisuke Suzuki of Siren Records. The first and last review we only have here right now.
LIMITED EDITION CD, 500 copies via mail order and available for order right now! The new Eyeless In Gaza album – Ink Horn/One Star – is out via A-Scale now.
Orders are welcome and as usual by e-mail to () – tell us what you want and state your country. We will then confirm the order and send you a Paypal invoice shortly afterwards. Same prices as before: £10 + shipping: UK £1, Europe £2, USA/Japan/Australia £3.
A-Scale are proud to present the new Eyeless In Gaza album Ink Horn/One Star (ASR058). All songs composed by Martyn Bates & Pete Becker. Produced by Eyeless In Gaza. Recorded & Engineered by Pete Becker. Mastered by Denis Blackham at Skye Mastering.
Pete Becker: wasp synths/bass/drums/e-guitar/drum-machines/fretless bass/vox/ac-guitar/melodica/echo-boxes/uke/percussion/accordion
2020 sees Eyeless In Gaza’s 40th year since inception. Astoundingly, the telepathic intensity between these two multi-instrumentalists continues to generate exceptionally creative results. In light of this, and appropriately enough, the songs/melodics and sonics of Ink Horn/One Star are seen by the band to be encapsulated within the album’s title, analogous to the inkwell and the quill/horn of the pen – with the written word invoking diverse strands of the creative impulse – the “one star” that is the focal point of creative energies.
By way of tribute & celebration of the bands 40th Anniversary, here are a few of the nice things people have said about Eyeless In Gaza down the years:
Join the mailing-list e-mail:
Ambivalent Scale Records – Catalogue, studio, contact address, direct orders from A-Scale
Eyeless In Gaza new album Winter Sang released November 15th, 2018
(Updated January 13th,)
The new Eyeless In Gaza album – Winter Sang – is finally here! It is available for pre-order right now and will reach us for delivery on the 14th of November. We thus hope to avoid the problems of getting the album delivered to you before Christmas this year (that we had problems with last year with Martyn’s solo album I Said to Love, which is still available).
Album has been reviewed in the March, 2019 issue of Uncut magazine very positively with a score of 8/10 by Jon Dale. It was also reviewed in Big Beautful Noise (29 Dec 2018 by Lee Henderson) and in Feardrop by Denis Boyer (in French). It was also reviewed in The Terrascope by Andrew Young. You can read all the reviews here.
Orders are now welcome and as usual by e-mail to () – tell us what you want and state your country. We will then confirm the order and send you a Paypal invoice shortly afterwards. Same prices as before: £10 + shipping: UK £1, Europe £2, USA/Japan/Australia £3.
We hope to make the album available soon also on digital download sites and maybe streaming sites too, but we encourage people to buy the physical product first, both as it is nice with a physical object with a booklet and it also supports the artist more than digital-only media does.
Martyn & Pete are unusually satisfied with the new album. I think it will be a great one! You can listen to the second song here:
“A-Scale are proud to present the new Eyeless In Gaza album release – Winter Sang, new music from a band which appears to be SO FAR below the radar that the phrase ‘criminally overlooked’ might well serve them yet another injustice. This album could well be said to have been entitled Winter Sang purely for the one fact – that despite the apparent icy indifference of an unlistening world, Eyeless In Gaza continue to make joyous new music – music that seemingly continues to belong in a twilight world of its own making. Since the band’s decision to withdraw from live appearances, this “twilight” music has taken on a yet deeper resonance – translating throughout Winter Sang as a rich abandonment, a core fragility. These soaring, unsettling songs are blasted through with folk/kosmiche rock sonics – stinging and soothing at one and the same time. Deeply personal – inviting/imploring/disquieting – this is music that pushes you away whilst simultaneously pulling you towards it.
38 years on, this album, just like this band, is out on its own.” – A.R. Ellis, for A-Scale
Winter Sang (ASR057) an Ambivalent Scale Recording released on November 14, 2018. Completed Oct 2018. All songs composed by Martyn Bates & Pete Becker. Produced by Eyeless In Gaza. Recorded & Engineered by Pete Becker. Mastered by Denis Blackham at Skye Mastering. Photography by Elizabeth S.
Pete Becker: bass guitar/drums/e-guitar/drum machines/wasp synth/pixie-phone/ac-guitar/melodica/echo-boxes/piano/tapes/percussion
Martyn Bates: vocals/keyboards/ac-guitar/e-guitar/clarinet/bass whistle/soprano sax/mouth harp/percussion
never going back ✼ and i don’t belong ✼ locked-in ✼ torn bridge ✼ i also dwell ✼ wide open ✼ older day ✼ and i dreamt ✼ amazed ✼ gentle
Eyeless In Gaza new album Sun Blues released September 23rd, 2016
(Updated January 23rd 2018)
Eyeless In Gaza new album Sun Blues A-Scale 055 out now via A-Scale and regular orders are now welcome!
An album of unusual songs, sounding both exotic and as a new take on things, but somehow familiar and the music comes together in a way only Eyeless In Gaza music can. The music often sounds stern and sometimes deeply melancholic, with exciting and successful soundscapes. I am sure this album will stand out as one of the more memorable albums from last 10 years, but we never know where they go from here. Always an exciting adventure to follow as it unravels! –Jerry
Reviews! Four good reviews now also published, including one in the recent issue of Mojo.
Order by e-mail to (), tell us what you want and state your country.
We will then confirm the order and send you a Paypal invoice shortly afterwards.
Cost: £10 + shipping: UK £1, Europe £2, USA/Japan/Australia £3.
Shipment will be confirmed as we send out your order.
The album is now (Oct. 3rd 2016) also available in download format through CDbaby and in a few days also through iTunes, Amazon, Spotify and the like.
Martyn Bates: e-guitars/voices/clarinet/kybds.
Peter Becker: bass/drums/e-guitars/voice/percussions/slide-guitar/piano/wasp/drum-machine/tapes/all engineering & recording.
Tracks: Animal Hate/Solar Logic/Tamarisk/New Take–Notkar/Longing Song/Wind, Sand, Sea and Stars/Unborn/Here I Am, Here I Am/Juniper/Ill-Star/All In the Rainy Morn/You Turn from Me/Long Gon Pa
❖ First album of all-new Eyeless In Gaza material since 2014’s Mania Sour.
❖ Completed August 2016 recorded at A-Scale studios Warwickshire, the Bates/Becker produced Sun Blues sees Eyeless In Gaza offering a 2016 styled distant cousin to 1982’s classic Pale Hands I Loved So Well. In an environment where the studio is very much a musical instrument, the band deliver a collection of filigree musics created via an organic osmosis, layering techniques, together with a painstakingly considered collaging of all elements. Here are instrumental discoveries & improvisations/pictures painted with words – songs that have an inbuilt claustrophobia and sonic density – playfully investigating the soundworlds/territories of the kosmische.
❖ On Sun Blues, of particular note is the combination of Martyn Bates’ at times melancholic, sometimes passionate vocals – which come across exceptionally strongly – teamed with the extraordinary, mercurial bass guitar work of Peter Becker. Sun Blues album would seem to be a groundbreaking distillation of everything that Bates & Becker have ever produced during their 36 year lifespan. Quite simply, Sun Blues is already being acclaimed as the definitive Eyeless In Gaza album.
Listen to Tamarisk (early version), which gives an idea of what to expect from the album, even if the album cover quite a big territory:
Martyn Bates live at Death Disco, Athens, Greece on Saturday June 16th
(April 28th 2018)
Martyn Bates performs live at Death Disco, Athens, Greece on Saturday June 16th at 9 PM – 11:55 PM. Already lots of people have decided to go (current info on Facebook). Ωγύγου 16 & Λεπενιώτου 24, Ψυρρή, 10554 Athens, Greece.
Martyn Bates new album I Said to Love
(Update February 8th 2018)
Order by e-mail to () & tell us what you want and state your country.
We will then confirm your order and send you a Paypal invoice shortly afterwards.
Cost: £10 + shipping: UK £1, Europe £2, USA/Japan/Australia £3.
The album is now also available worldwide through streaming services like Spotify and in digital download formats from various online sources. The CD is of course still available directly from us by mail order, but also from certain shops like Rough Trade in the UK and Disk Union in Japan.
One more song from the album now on Soundcloud – the opening piece ‘At Last’:
Reviews, very good, have been published in the International Times: A Cause for Celebration by Rupert Lloydell and in The Terrascope by Andrew Young.✼ No Turning Back ✼
Within this excellent and finely crafted album of songs dedicated “to the future”, there lies a puzzle, an enigma. With Eyeless In Gaza tending more and more towards the collaged soundscaping type situation where “the studio is very much an instrument” there is also Martyn Bates’ solo work, with his albums of late travelling in quite the opposite direction, all having the distinctive feel of being performance based voice/guitar type records.
Initial listenings to Bates’ new album take all of that elsewhere however, and extend it – with the results ending up kind of schizoid in character. The more familiar ‘introspective’ songs and voice remain for sure, yet they’re often contrasted wildly with a brace of noisier and more musically complex “duo” songs played and sung by Bates together with chanteuse Elizabeth S. These ‘opposing’ styles often seem to clash at first, crazily contrasting in tone and mood, creating a not altogether unpleasant tension – which actually turns out to make more sense on repeated hearings. A good example of this would be the quiet, whispering aura of “At Last”, followed with the pummelling, disturbing melee of “Hallucination”.
Also, somehow managing to stray outside of all this sturm und drang, the album holds a different kind of gem of a song yet, in its title track – “I Said To Love” – which finds Bates pitted against a string section for the first time in eons, and … it works too – bitter, bitter sweet, indeed. Bates has never been one to shy away from tackling grand themes, with the songs on I Said to Love staying true to form – dealing with mystery, rest, space, hallucinations, hindsight, loss, pity, hope, transformation, having your soul stolen & recovered, solace, deja vu, despair, resistance, delirium, entropy, determination – amongst other similarly chewable topics. The key however is in the album’s penultimate track, the haunted “I Look Back”, where Bates eschews his usual poetic lyric style – a style that can sometimes come across as overtly personal and as an almost private language – portraying within this one lyric a peculiarly single-minded determination. Somehow, listening through these words, they seem to summon up something personal in term of locating new spirit, a new direction for Martyn Bates’ whole oeuvre – we’re looking back, and it just isn’t right … how can we hope, if our hope lives in memories? … we must face our fear for there’s no turning back: just a set of simply framed words that manage to mirror the equally plain statement of dedication to be found on the album sleeve of I Said to Love – “to the future”. On the sheer melodic strength and diversity of this music, this is one future that I will eagerly await.
✼ At Last/Again Awhile/Shimmering/Unowned Light/I Said to Love/Hallucination/I Am Bound/Softspokenlies/Spring Dresses Winter/All the Lowlands/Ruined Flowers/Riches, Crying Moon/Fight/I Look Back/There & Here ✼
✼ Martyn Bates: voices/guitars
✼ Elizabeth S.: voice/banjo/second guitar/melodicas/harmonica/drum
✼ Alan Trench: cymbals/string machine/ghost feathers
I Said to Love (ASR056) was released December 14th, 2017. It was initially available via A-Scale only.
Listen to Hallucination from the album:
Albums currently available from A-Scale
(Updated December 11th, 2019)
Albums available right now from A-Scale are these:
Eyeless In Gaza – Ink Horn/One Star (ASR 058) Cd, 2019 (500 copies printed only)
Eyeless In Gaza – Winter Sang (ASR057) Cd, 2018
Eyeless In Gaza – Mythic Language/Egg Box Mask (ASR 050) 3-Cd set, 2015 (500 copies only). Early recordings, circa 1980-83. The physical limited Cd-set includes a fourth bonus download-volume and also contains two books in pdf-format.
– Price: £20 + shipping: UK £2, Europe £4, USA/Japan/Australia £5.
Eyeless In Gaza – Mania Sour (ASR 049) Cd, 2014
Eyeless In Gaza – Orange Ice & Wax Crayons (cat|sun MonotypeRec CAT9 (ASR 044)) Cd re-release, 2012, (revised/revamped-includes some different material than the first issue)
Eyeless In Gaza – Everyone Feels Like a Stranger (ASR 041) Cd, 2012
Eyeless In Gaza – Summer Salt & Subway Sun (ASR 033) 1xCd, 2006 (same as released as part of the 2xCd, 3xCd box later)
Eyeless In Gaza – Drumming the Beating Heart/Pale Hands I Loved So Well Cd [1 copy left]
Eyeless In Gaza – Song of the Beautiful Wanton (Soleilmoon SOL 94) CDR ONLY with booklet & original sleeve artwork, 2000
All albums are £10 except where noted + postage and packaging UK (£1), rest of Europe (£2) and outside Europe (£3). Americas Dissonance Lp cost extra for shipping depending on where you live (ask us). Send an () with your e-mail to receive a Paypal address to send the money to!
Eyeless In Gaza : new career overview compilation 2xCd
(September 24th 2016)
Cherry Red releases Picture the Day: A Career Retrospective 1981-2016. Released September 23rd, 2016.
The album is possible to order now directly from Cherry Red.
As the website says: First ever complete career retrospective from this highly influential band. Package includes insightful interview with singer Martyn Bates, lyrics and recording details. “[…] the band have overseen every stage of this release” (we may not want to read in too much responsibility in sourcing the masters for the recordings here though, based on earlier experience, but guess most things will sound fine).
CD1 – Cherry Red Recordings:
Lights of April/Back from the Rains/Invisibility/Others/Still Air/Pearl and Pale/Tell/Falling Leaf–Fading Flower/See Red/One by One/New Risen/Veil Like Calm/Kodak Ghosts Run Amok/Arms Length/Looking Daggers/Corner of Dusk/Jane Dancing/Wind Blows/Pale Saints/Inky Blue Sky
CD2 – Ambivalent Scale Recordings:
Struck Like Jacob Marley/Fracture Track/You are Grace/Endless Trees/Whitening Rays/Summer Salt/Much Wants More/Tamarisk/You Know Nothing/Where Vivid Bloomed/Lord Gregory/Lullay My Liking/Long Calling Summer/Among the Blue Flowers and the Yellow/Twilight Walking
Martyn Bates solo album Fireworks & Jewels / The Colour of Amber released October 12th, 2015
(Updated February 14th 2016)
The new solo album – Fireworks & Jewels / The Colour of Amber – from Eyeless In Gaza’s Martyn Bates was out on September 17th through A-Scale.
Regular orders can now be placed with us! As always, state what you want and state your country in sending an e-mail to (). We will then confirm the order and send you a Paypal invoice shortly afterwards.
Cost: £10 + shipping: UK £1, Europe £2, USA/Japan/Australia £3.
Shipment will be confirmed as we send out your order around the release date (watch the website to check that the Cd has been released if you are waiting for shipment-confirmation).
The album was released in digital download format on the 28th of September, 2015. Available from iTunes and Cdbaby and Amazon UK, but this time also streaming services like Spotify and others.
Songs: Born Tomorrow/Faith Stars/Call & Response/Long After/Embers, Starry Tapers/Away/Gathering/Belong/If at All/Shielded, Yielding/Remembering/Fireworks & Jewels/Unsung.
Martyn Bates: voices/acoustic guitar/piano/harmonicas. Elizabeth S.: banjo/voice. Alan Trench: electronics/bowed cymbals/feedback/bells/percussions/sky & sea tapes & treatments. Produced by Alan Trench & Martyn Bates. Engineered, recorded, mixed by Alan Trench at Bridge House Studios, Evia, Greece, May thru July 2015.
Reviews: Soundblab, and in Italian in the Blow Up magazine.
Fireworks & Jewels is the 3rd solo album in as many years from Eyeless In Gaza’s Martyn Bates – being a collection of mostly voice/guitar pieces with a focus on the SONG – words and music stripped to core elements. Working with these elements, Elizabeth S. and Alan Trench introduce subtle colours to the body of these performances – with Trench adding particularly deft applications of electronics & tape treatments – creating a whole other supporting soundworld for the seeming fragility of Bates’ apparently often elusively private world of words & music. As Bates’ states, for him, the whole process of music-making is cathartic. On this occasion the resulting songs address some elusive and mercurial ideas and concepts. According to Bates: “ … I wanted to put across … the way that during heightened moments in everyday life – within those moments where there are “fireworks & jewels” as you might say – there’s always a spark or a thought there that flashes the colour amber – an elusive, tantalising light that you know is eternal, and forever, and yet … it’s somehow, always, always held out of reach … .” The appropriate watchwords here might well be, perhaps, Process & Effect, Illusion & Reality, or feasibly, in keeping with the album’s title, Shadow & Substance.
Fireworks & Jewels / The Colour of Amber was completed July 2015 and recorded at Bridge House Studios, on the Greek isle of Evia – the atmosphere of whose current social and political situation of doubt and uncertainty could perhaps be said to have had a noticeable influence upon the brooding & unsettled spirit at work throughout this album.
Mythic Language/Egg Box Mask – new archive albums & lyric book – Out on Dec 9th 2014 & Jan 5 2015
(Updated March 29th 2015)
– Yes, believe it or not, but the very mythic Mythic Language/Egg Box Mask CD-set is now at last out after earlier misfortunes. The physical (pre-)release was out on December 9th, 2014. Orders are still welcome (not yet sold out!). Limited to 500 copies only, 3-Cd set. The physical limited Cd-set includes a fourth bonus download-volume as specified below and also contains the two books in PDF-format.
A-Scale accepts orders/reservations directly by sending an e-mail to () – include your name, country and what you want (you can order more copies and other things available from A-Scale at the same time if you wish). Cost: £20 + shipping: UK £2, Europe £4, USA/Japan/Australia £5. We will then send you a Paypal “invoice” (no need for a Paypal account) sometime in November!
The general release was on January 5th, 2015. The album set (3-Cd) is now available in download format via services like iTunes, Amazon, Cdbaby. Prices/formats (some): iTunes $27.99/€24.99/£24.99 (aac 256 kbit); Amazon $26.97/€26.97/£23.97 (mp3 256 kbit vbr); Cdbaby $25 (mp3 200 kbit vbr lame, mp3 320 kbit, flac (lossless)).
We now have three great reviews online from The Wire, The Ptolemaic Terrascope and Soundblab!
NB: Certain of the recordings within the Mythic Language/Egg Box Mask 3-Cd set are included as aural documents reflecting the variety of settings and conditions under which they were recorded, and thus do not necessarily display the usual high quality audio standards of other Ambivalent Scale releases. But we believe the interest of these historical recordings will outweigh these shortcomings.
Cd 1: Egg Box Mask (an eclectic mix of early Eyeless In Gaza recordings – experimental, plus studio recordings 1981-82, mostly)
1 All Echo/2 Lines of Flame/3 You, So Open/4 The Sun-Like-Gold/5 Mythic Language/6 Alms Houses/7 Old Hours, Slow Daybreak/8 Three Nights Running/9 See She Sells, on the Sea Shore, Shells/10 We Shade Our Eyes/11 Quiet Lustre/12 Prayerbook to the Quiet/13 Second Music/14 See the Dark Pools Flash/15 The Rain Dreaming Ship/16 Songs of Coming Winter/17 Autumn Mixes Its Colours/18 Song of a Man Who Has Come Through
Cd 2: Fixation (comprises live recordings by Eyeless In Gaza, 1980-1983 – this is the “noisy” hitherto UNHEARD-on record-side of Eyeless In Gaza’s early work! Also the tracks from the previously announced 7” have been moved to this Cd.)
1 In Flux/2 Blue Distance/3 Two Years On/4 Lines of Flame (slow version)/5 Sound Track/6 The Skeletal Framework/7 Struck Like Jacob Marley/8 Darker Portraits/9 Kiss Syntax/10 Pale Hand I Loved So Well/11 November, Silver and Dark/12 Forward Steps/13 Primary Colour/14 Palms/15 Urge (The Favourite Game)
Cd 3: Morningsinging (comprises solo recordings by Martyn Bates – mostly radio sessions, 1988-1993)
1 Bahnhofstrasse/2 Dove/3 Way to Blue/4 This Time/5 Came Here to Look You In the Eye/6 Sally Free and Easy/7 Twilight Turns to Amethyst/8 Morning Singing/9 Elegy News/10 For Love, Waiting to Die/11 Of Night Calling/12 Lean Out of the Window/13 Born and Beginning/14 Long Lankin/15 When You Praise Her
Bonus album: Mythic Language Extras (comprises some more tracks that we wouldn’t originally have released)
1 Walk Away Detachment (studio recording circa 1982)/2 By Proxy (Kodak Ghosts E.P. Sessions outtake)/3 Snow Theme (studio recording circa 1994)/4 Pale Hands (a re-working of the song featured on Fixation, possibly circa early 90’s)/5 Balm (circa 1990 – a rare example of Pete Becker’s dub step stylings)/6 Three Strange Angels (from the Creature Box album – unreleased work with erstwhile Coil collaborator John Everall)/7 First Day of January (by Martyn Bates, Letters Written outtake)/8 I Fill My Skirt (poem-setting, from The Shannon Smith Sessions, circa 1981)/9 Dust Dances (poem-setting, from The Shannon Smith Sessions, circa 1981)/10 I Came Hungering to You (circa 1990 – another rare example of Pete Becker’s enticingly wayward dub step stylings).
November: Inky Blue Sky & Notes on Mythic Language books:
The booklet for the box will include the previously announced 20-page work entitled Notes on Mythic Language, which is an “experimental” work of a kind – in that it comprises autobiographical fragments/notes on writing/track details of the pieces in the box set/some of the lyrics from the album + hybrid interviews + one legitimate interview in full. Essentially, it’s “a book about writing”.
The second book – a 100 page book of “lyric fragment/xerox experiments, set up to mix word and image” – entitled November: Inky Blue Sky. will be available separately as an e-book that can be downloaded for free with every purchase of the physical Cd-set.
Eyeless In Gaza live in Berlin, August 14, 2015
(March 15th 2015)
Eyeless In Gaza will give one of their rare performances this year in Berlin, Germany on August 14th.
The venue is Marie-Antoinette at 9 PM. Tickets are available for € 17.50. For details and booking visit koka36.de.
Eyeless In Gaza new album Mania Sour out August 4th
(Updated March 29th 2015)
Eyeless In Gaza new album Mania Sour is released via A-Scale on August 4th, 2014. A-Scale accepts orders directly by sending an e-mail to () – include your name, country and what you want (you can order more copies and other things available from A-Scale at the same time if you wish). Cost: £10 + shipping: UK £1, Europe £2, USA/Japan/Australia £3. We will then send you a Paypal “invoice” (no need for a Paypal account).
Reviewed in Feardrop magazine by Denis Boyer.
Songs: Pulse of the Rain/Aether Tears/You Know Nothing/Pleasing/ESP/First Songs/Inward/Constancy/Mania Sour/See the Hiding Fever/Old Iron/Double World/Day of Doves/The Rock/Teddy Edward.
Martyn Bates: e-guitars/voices/clarinet/a-guitar/piano/tapes. Pete Becker: drums/bass/voice/a-guitar/percussions/slide-guitar/e. piano/ drum-machine/radio. Mastered by Denis Blackham at Skye Mastering.
❖ Completed June 2014 and recorded at Hansa Studios, Berlin and at A-Scale Studios, Nuneaton UK, Mania Sour is an album that serves up a different twist on the soundworlds Eyeless In Gaza have inhabited of late – perhaps suggesting new parallels on the abrasive stylings displayed on the band’s early 80’s classic albums Photographs as Memories and Caught in Flux. Offering a glorious blend of uniquely Eyeless type e-guitars & full-on percussion, Mania Sour presents a brash, strident set of distinctively Bates/Becker style songs that snarl n’ soar with passion and bite.
❖ With the core of the album recorded ‘live’ in the studio Mania Sour is overall an electric guitar n’ drums fuelled album, and it’s worth noting that, in terms of it’s subject matter the album is definitely not the jeremiad you might think were you to judge by the title alone. The ‘mania’ here is that of time passing and experience, of appetite and urge, of perseverance/persistence & determination – a hard-won sense of righteousness at that which must not be allowed to sour.
❖ Addressing inner worlds, inner spaces, delicate and violent possession, sharpened perceptions, and, significantly, the cry of the eternal – the ‘first songs’ of the will and how they find voice in the world – the long-serving Eyeless In Gaza duo of Martyn Bates and Peter Becker celebrate all of this, kicking hell out of guitars and drums on Mania Sour along the way while also offering glimpses of the madness of joy and the ways in which all of us increasingly find that it is only you that can save your own life – and that:
“If we are everywhere complicit, we are also everywhere active … .”
Eyeless In Gaza Original Albums boxset release on Cherry Red
(February 8th 2015)
All the early albums on Cherry Red released again in a box including all other Cherry Red released/licensed material from 1980 up to May 1983, including the first Ep released by Ambivalent Scale. Thus this release includes all that early released material by Eyeless In Gaza, only excluding their Tago Mago split cassette release (with Lol Coxhill) and a version of Veil Like Calm on an osbcure cassette compilation.
So far one French review.
All things sound somewhat okay, but here’s my comments on where to find the best sounding material that they again did not care to take the time and effort to use (they did use my fixed up photo for the cover though) (from what I understand this is how they treat all their artists):
Photographs as Memories: the 2000 remaster Cd release (master remade from pre-master tapes by Pete Becker as the master has been lost by Cherry Red as all of their others from this period, as far as we know)! (I do not like the 2008 “augmented” release.) Might have been the version used on the box (have not listened to it).
Caught In Flux: sounds best on 1997 Cd remaster (master cleaned up from a vinyl recording) (I do not like the 2008 “augmented” release, although it is ok.) I think this was the version used on the box. The Eyes of Beautiful Losers Ep (that originally came with the Caught In Flux album) – use the vinyl version (I think it is a bit better than the 1997 Cd).
Pale Hands I Loved So Well (licensed to Uniton, Norway and released just before Drumming the Beating Heart): use only the vinyl versions! The hard work put into the remaster for the 2008 Cd release was good, but the original Lp still sounds better (esp. so for Blue Distance, which were improved upon from the source of a degraded release on Transience Blues compilation Cd). Lp has a lot of problems on its own though. I bought my first Cd player back around 1988 in the anticipation this would eventually come out with a crisp sound from the original masters, but still no luck there.
Drumming the Beating Heart: here it becomes difficult as there was indeed good work made for the 2008 release that in a more decisive way changed some things for the better (I list the best source for each track):
Note that they released the cut version of Before You Go as on the heavily distorted first 1996 Cd release on Cherry Red. Download the full vinyl version piece here (Apple Lossless format).
Recollections and Rarities: most tracks are taken from the mono only Cd release Sixth Sense (mistakenly mastered in mono by Cherry Red) even though they have better alternatives available themselves … . (There may have been better originals for the Kodak Ghosts Run Amok 7” and Taking Steps (original) as they appeared on Sixth Sense, but there in mono … (and similarly here).) Comments on each track:
Martyn Bates new solo album Arriving Fire out March 24th
(Updated March 29th 2014)
Martyn Bates new solo album Arriving Fire is out on March 24th, 2014. The album can be pre-ordered right now from A-Scale by sending an e-mail to () with your name, country and what you want to order, then we will get back to you with payment instructions. Cost: £10 + shipping: UK £1, Europe £2, USA/Japan/Australia £3.
The album was released in digital download format in late April. Available from iTunes and Cdbaby and soon Amazon, 7Digital and others.
Arriving Fire reviews (three so far).
Songs: Arriving Fire/Flight/Port of Stormy Lights/Past Tense: Eclipse/Skirting the Shores of Sunrise/Pity Winter/Fragment: Glad/Rhyme of Miracles/More/Liar’s Roses/Two Voices/Close of a Song/World’s Eye.
Martyn Bates: Voices, acoustic guitars, piano of Port of Stormy Lights, pump organ on Close of a Song. Elizabeth S.: B-vox, dulcimer, tambourine, claves, banjo on The Rhyme of Miracles. Alan Trench: church bells, hand bells, athens night sky, orchestral percussion, field recordings, sonic attack kybds, radio + Pete Becker: ukelele on Past Tense: Eclipse.
❖ Taking to heart the bare seeds of Bates’ last solo set (Unsung), this album is both an extension and continuation of that music. Again, it is very much Bates’ solitary work, focussing on voice & acoustic guitar, placing a special emphasis upon The Song.
❖ Nevertheless, the album offers a far greater degree of additional accompaniment, featuring some intensifying contributions from Elizabeth S. on vocals, dulcimer, banjo – and also a lone contribution from Peter Becker, who adds a distinctly harp-like sounding ukulele. Chiefly however, it is the orchestral colourings of Bates’ co-producer Alan Trench that add a unique flavour to this album – with deft use of atmos ‘radio/sonic attack keyboards’ and ‘night atmos’ tapes of Alan’s chosen land of exile, Greece.
❖ According to Bates, the subject matter of Arriving Fire is simply “the distance between inner and outer worlds – the spaces that surge and live between setting out and the journey itself … (where) … the traveller never truly arrives … because, to arrive is to complete and put an end to what you are striving for – and that is not the aim, ever.” Bates’ often private language and imagery is explored deftly here within this collection of “November Songs” … songs about transition and exploration of the spirit … “grasping towards looking at different feelings, notions of sanctuary and sanctity that might help address some way in which we might build some kind of form of spiritual space of our own, in which to survive.”
❖ As Bates states “… I can never doubt that the energy is still there, always there … it’s just that I feel that we are all living thru such a compacted time of escalated change right now that there’s going to be a mass retreat eventually – there has to be, and I need to be ready, we all do. And, with that will come the need for healing”. Once again, Bates’ watchword here would seem to be his old by-line of Love is a Gift – albeit a ‘gift’, it would seem, that is very much concerned with significantly more than meets the eye.
Peter Becker: Ambivalent Scale; Tape Recordings 1979-82 Lp released on June 15th 2013
(June 12th 2013)
Ambivalent Scale; Tape Recordings 1979-82 (VOD 155.3/ASR 047) is a great re-release of material from the long deleted and much sought after two solo cassettes by Peter Becker from the early era of Eyeless In Gaza. While Martyn Bates (the other half of Eyeless In Gaza) continued to produce new solo releases, Peter Becker never released any further solo recordings after By Train To the Coast C45 was released on Ambivalent Scale Recordings in 1981. The old tapes have been sold for huge amounts on Ebay and a reissue was in demand. This collection of the essential pieces from this period are now released on Lp by VOD Records and available for order right now. (€15.99 + shipping)
There are four tracks listed on this release that I am not aware they have been released before: We Can’t Break the Spell; Loneliness Disco; Winter Glide; and Distance – these are taken from cassettes sent as gifts to people back in this period. The full track-list is: Drum Avant 7/Music for Playgrounds/Faces in the Dark/Eyes Blink (Disco Mix)/Music for the Italian Tourist Board/Forch Funk/Veil (PB Version)/Eyes Blink (Version)/Spider Noise-Ant Noise/By Train to the Coast/Arabesque/Ukrainian Stained Glass/Voyage Across/We Can’t Break the Spell/Aborigine Spirit Dance/Loneliness Disco/Ukrainian Church/Winter Glide/Transatlantic Flight/Distance.
This looks like a very good selection! It includes a piece also released by Eyeless In Gaza – Music for Playgrounds. Also, Veil (PB Style) is a version of the well-known Eyeless In Gaza song Veil Like Calm (the video of which has been watched on YouTube by over 66,000 people as of writing). It should be of interest to Eyeless In Gaza fans to see glimpses into early ideas behind Eyeless In Gaza songs, but it is also a great example of the Indie/DIY culture of the early 80’s.
Anne Clark & Eyeless In Gaza Live in London on Saturday 12th, April
(February 8th 2014)
Legendary singer/musician Anne Clark will give a concert at The Garage in London supported by Eyeless In Gaza on Saturday 12th, April. See the Facebook page. Buy tickets at Ticketweb or EEEtickets. (Cost £14 +fee.) I see different times for being there on different pages between 6 pm to 7:30 pm, so better turn up around 6 pm!
More information on Anne Clark at her own website!
Martyn Bates new solo album released Nov. 13th 2012 Unsung
(Updated March 19th 2013)
Unsung – the new solo album by Martyn Bates (voice/guitar) completed September 2012 and produced by Alan Trench & Martyn Bates. Released on November 13th, 2012. Place your order through A-Scale now! Send an e-mail to () with your name, country and what you want to order, then we will get back to you with payment instructions. Cost: £10 + shipping: UK £1, Europe £2, USA/Japan/Australia £3. The album is now also available through iTunes store and other online music stores as a download. The physical album could also be bought through Rough Trade.
With Unsung Martyn Bates takes on the more traditional role as a singer-songwriter, armed solely with his guitar for accompaniment, save for the occasional sparse colouring. At this time — when this particular role has been explored and done to death & beyond by long lines of both old and young musicians — one would think that there possibly could not be much to add (not that singer-songwriters generally are out on a mission to add something to the format). But as we know from the past history of Martyn Bates and Eyeless In Gaza, they do invent, they do new things, they sound fresh over and over again. So this is exciting, indeed!
From initial listenings to the album, one happily fails to find anything reminiscent of the new breed of singer-songwriters that tend to sound so same-ish, even when they try to sound “alternative”, “sensuous” and “independent” suggesting the listener would be convinced that it (albeit artificially) “sounds so right”. Here, in contrast, you find someone who plays and sings as if no one has ever done any singing accompanied only by his own guitar playing before. The lyrics are thoughtful, the music is lush and different, the voice is superb and the music is respectful of the intelligence of the listener. Still the music is certainly not dull or gloomy, but spirited and infectious. I think you will agree.
– Jerry Nilson
New! Read the reviews in Sonic Seducer, The Wire, and Record Collector. Another review of Unsung is found at Mix-Grill published by Dimitris Antonopoulos.
Songs: 1. Years, 2. Caustic, 3. Wait & See, 4. All the Days ’Round, 5. Unsung: the Sun Knows; 6. Muted Music, 7. No One, 8. To Read Your Way, 9. Love Came to My Door, 10. And This the Day. (Playing time ca. 41 mins.)
Orange Ice & Wax Crayons Cd re-release
(Updated February 2nd 2013)
Orange Ice & Wax Crayons Cd, much sought after and long out of print compilation from 1992, has been re-released with partly new content on cat|sun records (October 14th). None of these songs has appeared on the regular Eyeless In Gaza albums. ‘Formerly at Midnight’, ‘Red Letter Day’ and ‘Lovers Spit & Kiss’ has never been released before. ‘Egg-Box Mask’ and ‘Music for Playgrounds’ were only available on a bonus 7” with the first 1000 copies of the vinyl version of the album (both were taken from the same session as for the first Kodak Ghosts Run Amok Ep in 1980). Available now directly from cat|sun.
Tracks: 1. Hours Grow, 2. What I Want to Know, 3. Ways of Rachel, 4. Streets Lamps n’ Snow, 5. P.S. for Michael, 6. Formerly at Midnight, 7. Egg-Box Mask, 8. Great Ocean Liner, 9. Fear Clutches, 10. Red Letter Day, 11. Lovers Spit & Kiss, 12. Fever Pitch and Bite [mistakenly credited as Lovers Spit & Kiss], 13. Dogs Bark, 14. Stay, 15. Old Lime Quarry, 16. Music for Playgrounds.The album has been given a postive review in Vital Weekly.
The Fifth Season/La Cinquième Saison – new highly acclaimed film with music composed by Eyeless In Gaza
(February 1st 2013)
The Fifth Season/La Cinquième Saison is a new film by Peter Brosens and Jessica Woodworth featuring music by Eyeless In Gaza – ‘Broken Bud, False Star: A Farewell for Phoebus’. The film starts out with beautiful scenes from a seemingly happy little village in Belgium, where the annual ceremony to drive the Winter away fails and then the Summer never arrives. Events and most people quickly turn for the worse. Many still scenes shows for a long time, expanding the sense of futility in the face of natural events. A lot of quite well-composed scenes gives the sense that the directors are acting as photographers or painters rather than film makers. The action is focused on a minimum of scenes and dialogue, which makes the film comes across as a cut-up collage of photos with music, but still enough to make a story. The music supplied by Eyeless In Gaza fits very well and is used very successfully in adding drama to the events.
Eyeless In Gaza Ep/mini-album Butterfly Attitude released on Downwards
(Updated July 1st 2012)
Eyeless In Gaza just released Butterfly Attitude – a “sister album” to Everyone Feels Like a Stranger on the Downwards label (distributed by Veto) entitled Butterfly Attitude containing 5 new pieces on 12” vinyl (free Cd accompanies intial quatities, which contains 7 new pieces). It indeed sounds like the missing 1/3rd of Everyone Feels Like a Stranger.
Ambivalent Scale has SOLD OUT all copies (1 Cd copy at the moment still in stock)! Please try to order through an alternative source (not tried them myself, but what I found through a Google search on July 1st): Rough Trade; Norman Records; Boomkat; Chemical Records or order it directly from the distributor:
VINYL + CD edition: 5 track, 12 inch, full colour 12 inch sleeve, with full colour inner sleeve (multiple images + complete Butterfly Attitude lyrics) and centre labels, PLUS flat-pack 7 track full colour on body Cd, packaged within the 12 inch sleeve, shrink-wrapped.
CD edition: Flat-pack 7 track CD, full colour on body cd, shrink-wrapped.
Pressing comprises only a 500 run of each edition.
Song-list: Ep: A1. Fracture Track, A2. The Day Began, B1. You are Grace, B2. Dust, B3. Said Bitterly; Cd: 1. Fracture Track, 2. Dust, 3. The Day Began, 4. Reverie, 5. You are Grace, 6. Said Bitterly, 7. Desolate Hills.
Eyeless In Gaza live in London on July 21
(Updated July 30th 2012)
Eyeless In Gaza performed live in London on Saturday July 21st, 20 pm at Upset the Rhythm, 79 Endell Street, London, WC2H 9DY (the Swiss Church). Price: £11.00.
For more information see the announcement at the organiser, Upset the Rythm and The Swiss Church in London.
The concert went very well and Eyeless In Gaza performed some great songs available on YouTube (thanks to Pedro García): Still Air, Inky Blue Sky, The Mountain Tomb, Reverie, All Yr Pages, Red Berries, Pearl and Pale, Among the Blue Flowers and the Yellow, Centrepiece, Voices, Keynote Inertia, The Apple Orchard, Morning Singing, The Decoration, Snow Rages, Desolate Hills, Sweet Life Longer, Corner of Dusk.
Eyeless In Gaza live in Paris on June 7
(Updated June 20th 2012)
Eyeless In Gaza gave a great performance at a well attended concert on Thursday June 7th, 20 pm. The venue was the Collège des Bernardins, grand auditorium. Garth Knox with his trio performed and then Eyeless In Gaza came on stage.
Their set included some of their old classics freshly approached and some new songs, some of which you can now hear on YouTube (thanks to Pedro García): No Noise; Still Air; Leaves are Dancing, Sweet Life Longer; Fracture Track; Inky Blue Sky and In the Desolate Hills.
FACT magazine interview with Martyn Bates of Eyeless In Gaza
(April 28th 2012)
FACT magazine just published an interesting interview with Martyn Bates of Eyeless In Gaza in connection with the release of the new Butterfly Attitude Ep and Everyone Feels Like a Stranger album.
New album – Everyone Feels Like A Stranger OUT NOW Dec 21st, 2011
(Updated April 14th 2012)
Everyone Feels Like A Stranger (A-Scale 041) is the all new album by Eyeless In Gaza. The album is available for order right now from A-Scale! Send a message to indicating you want this album and we will send you a Paypal invoice for £11 (GBP) incl. shipping in the UK, £12 in the rest of Europe and £13 outside Europe. You do not need a Paypal account to pay.
”High on English folk/psychedelic textures, he and Peter Becker have come up with this collection of windswept, romantic songs, prickly as holly and sad as old Polaroids. […] After 32 years, this is a real career peak.” – Uncut (May 2012)
“If you could imagine Midlake wrestling with Marc Almond, and Sufjan Stevens trying to pull them apart, then you would have a pretty good indication of how Everyone Feels Like A Stranger’s opening trio of tracks sounds. […] an excellent song cycle” – Record Collector (March 2012)
The edition is limited to 1000 copies and as with other Eyeless In Gaza albums, we do not know when or if there will be more editions coming, so get it now. The album is song-focussed and the running time is 46 mins 52 secs. The 12 tracks are: 1. Voices, 2. Dance of Hours, 3. Much Wants More, 4. Morning Singing, 5. Seeing/Book of Days, 6. Among the Gathering Skies, 7. So You Appear, 8. Slow Eve, 9. Childhood Knives, 10. Dreaming Body, 11. If I Could Live as the Sun Does, 12. Endless Trees.
Dance of Hours, Childhood Knives and So You Appear have appeared in pre-view versions on radio programs and on YouTube, but have been perfected for the final release here. Morning Singing is a new take on the Martyn Bates solo classic from 1982, but since Eyeless In Gaza has performed this live as a band several times lately, this reflects how it is interpreted these days as a song by Eyeless In Gaza.
Martyn Bates writes about the new album:
Through the Summer of 2011 while we were putting together the tunes for Everyone Feels Like a Stranger, an unexpected pattern began to emerge. Clearly, as we were recording and completing pieces, much of this new work was showing a distinct prejudice /alignment to the form of songs, as opposed to instrumental explorations and improvisations, pictures without words. Now of course, all of the music we make has a story to it – much as we are all stories, because, well … that’s all we have really: stories beautiful / terrifying / ecstatic / anecdotal / awake / asleep etc. etc. These particular song-stories all naturally feed into Eyeless In Gaza directly, and, as far as I’m concerned, the songs then go on to take on a life of their own.
That being said, I was already aware that these particular songs seemed to have arrived coloured with something that struck me as being particularly inward looking and reflective, for the most part. It was Peter Becker who first suggested that we title this album of songs Everyone Feels Like a Stranger – and initially I was unsure, as I felt that somehow this phrase ran the risk of conveying the ‘wrong kind’ of negative connotations. However, I see now that he was right. What we have here within these songs is a collective meditation upon the double-edged sense of exhilaration and closeness that can occur when one enters that peculiar state of mind and being that being alone can sometimes give.
Where to ‘feel like a stranger’ oddly brings about a wayward sense of subtle happiness or comfort. And where distance and separation somehow connect with a sudden elevation and insight, and link in with an unsettling sense of security within that isolation. Where being ‘alone’ takes on an almost religious intensity .Where you are connected to the Quiet, the calm, the silence. Where Everyone Feels Like a Stranger, true … but, at the same time, no-one ever feels like a dispassionate collaborator.
Dance of Hours – a YouTube film directed by David Black for Black Creative Limited with additional footage from Elizabeth Bates, recorded at Mont St. Michel out of the shores of Normandy in late August 2011.
My own initial reaction to Everyone Feels Like a Stranger – not as negative in mood as the title might suggest. This is an album that is hard to tell why one should hold in high esteem, but one should, because it is greater in some ways than previous albums. It shows a deep respect for the song format and that is at the core here. I might find more improvisational material more exciting, but here they really bring out the best of what is central to making music – melody/harmony, wonderful voice, thoughtfulness, inventiveness, atmosphere, colouring and all without sounding presumptuous, nor trying to live up to what others might regard as great, but rather define it. An album not to be missed!
Rising from the room, a sighing light is leaving and laughing … and you think it’s you, sighing a sigh, inward-crying, crashing. Yr dreaming won’t let you know – mad certain sure as though hiding, fever biting so … imbued with a meaning raw – no strength to see it all …stories of heart hidden, saying I will come to yr side I will speak now to you I’ll draw close … and I’ll find that someone is leaving you soon ....
Eyeless In Gaza present one of the Weird Tales of Winter on February 2nd-3rd
(Updated February 4th 2011)
Eyeless In Gaza are presenting The Shadow by Hans Christian Andersen on the night of Februrary the 2nd (more exactly on February 3rd at 01:00). This is a presentation on the radio in the UK. This is part of a series of Weird Tales for the Winter that are being broadcast on Resonance Radio 104.4 fm. Each program from January 29th to February 5th is sent at 01:00 apart from the first 22:30 and last shows at 21:30. This program got rather popular when it ran last year and people have been downloading the stories a lot for a long time since then. (The website there is currently being refreshed to show the information for this years program.) Other contributors can be seen on their website soon and there is also a Facebook page. The broadcast is possible to listen to or download on the Weird Tales website.
Lawrence of Felt plays Martyn Bates on Domino radio + mentioned in new Felt book
(Updated April 14th)
Lawrence of Felt (and now Go-Kart Mozart) plays Martyn Bates and other music he listened to back in the 80’s on Domino radio. Martyn Bates is also mentioned in the recent Felt: the Book (in the first preview pane Martyn Bates – Letters Written is listed).
Eyeless In Gaza photos from 1980-81
(November 28th 2011)
Some nice very early live gigs footage has come to life on the web recently at this is then
The Wire to include a New Eyeless In Gaza song
(November 28th 2011)
The Wire music magazine issue in December 2011 will not include a complimentary Cd compilation as previously mentioned here, but the Cd is likely to come out with The Wire sometime next year. The new song ‘Much Wants More’ by Eyeless In Gaza was planned for this Cd. The Cd will showcase artists on Monotype Records / Cat|Sun, which will include Eyeless In Gaza in some manner next year. (Notice the bands mentioned on their front page.)
New short film – Dance of Hours
(September 29th 2011)
A short film by Elizabeth S. shot on location at Mont St Michel, August 2011.
Eyeless In Gaza recording documentary at Mont St. Michel, France
(September 4th 2011)
Eyeless In Gaza have spent a week on the famous island in France out of the shores of Normandy — Mont St. Michel. The french association Un soir dans la Manche invited Eyeless In Gaza to record a documentary film about the band. Martyn wrote before they took off: “The short term intention is to secure a concert at the Abbey on Mont St Michel. As far as I am aware, the occurence of a non secular concert event has never been permitted before at the Abbey — so this quite an oportunity, something unique. In the short term, we will be shooting a lot of performance material for the film — for which the band have been busily rehearsing over the past weeks. We also intend to use the event/week as an opportunity to write and prepare new material.”
Martyn said when coming back from Mont St. Michel that the visit was “fantastic”. Martyn says: “I feel that the film should be entitled ‘A Twilight World’ – the theme seemed to echo through all we did there: there was a general air of unreality that I loved. We filmed a vast amount of material, in various locations in and around MSM. Songs filmed included: Much Wants More/No Noise/And I Don’t Know How It Will Be/All Yr Pages/Still Air/Whitening Rays/The Decoration/Centrepiece/The Mountain Tomb/So You Appear/Picture the Day/Snow Rages/Born and Beginning/All Under the Leaves, the Leaves of Life/Shorepoem/Morning Singing/The Panther/The Cherry Tree Carol/The Apple Orchard/She Moves Through the Fair/Beaten Gold/Keynote Inertia/One by One/Harps In Heaven/Gift/Dark’s Chorus/Reedsong/Fracture Track/Others/Faceless/Song of the Wandering Aengus/Stealing Autumn/The Heart’s Song/Red Berries/John of Patmos.”
Eyeless In Gaza live in Leicester on Sept. 18
(Updated August 26th 2011)
Eyeless In Gaza performed live in Leicester on Sept. 18 at The Musician. It is £7 in advance or £8 at the door (20 pm). Acting support were Kevin Hewick, who performed together with Eyeless In Gaza a few times in the early 80’s. Eyeless In Gaza played their first Leicester show since 1983.
Eyeless In Gaza on Kanali Ena radio, Athens, Greece, May 21st
(Updated June 13th 2011)
Eyeless In Gaza will have NEW songs played on the Kanali Ena radio in Greece on Saturday May 21st. The program is also available live through their website Kanali Ena 20:00-22:00 Athens (18:00-20:00 UK/GMT time; 19:00-21:00 central European time).
If you missed the show, the songs are available on YouTube: Dance of Hours, Dust, So You Appear, Likeness of Summer adn Childhood Knives.
Eyeless In Gaza – songs from a forthcoming album
(Updated March 4th 2011)
Free exclusive downloads of unique versions of two songs from the new Eyeless In Gaza album (no release date yet). The tracks were also aired on the recent Resonance Radio Session. Feel free to download or just listen to here on the website. (Click to listen or right-click to choose to download the tracks.) Photo above by Knut Koops.
So You Appear
A little YouTube presentation of the last of the two new songs.
Eyeless In Gaza on radio at Resonance Radio, February 26th
(Updated February 19th 2011)
Eyeless In Gaza will be featured in a radio session on Resonance Radio 104.4 fm at 9.30 - 11pm (GMT) on Saturday February 26th (among other things). There will be some new songs recorded for the event (early versions of tracks planned for a new upcoming album).
Eyeless In Gaza present a Temple Music evening at Taylor John’s House in Coventry, UK on December 11th
(December 20th 2010)
Eyeless In Gaza present a Temple Music evening at Taylor John’s House in Coventry, UK on December 11th. The night will present sets by Eyeless In Gaza, Temple Music, Orchis and Twelve Thousand Days. For tickets check out the Tin Angel website. It is £7 in advance or £9 at the door. Or look at the Facebook page.
It was a very nice evening at Taylor John’s and the idea of an evening with music centering around Eyeless In Gaza worked out very well. There were first a long live improvisation by Temple Music, with some noisy electronics, but all sort of instrumentations weaved together to produce a quite intriguing sound voyage. After this we got a short, but very energetic, set by 12,000 Days, where they started out with the The Song of the Prophet – a song that builds so great from the start. They did a really good take on Dun Fox from their first album. (The old albums will soon be re-released again.) Then Orchis did a similar set, with some of their best tunes like He Walks in Winter and The Red of the Moon. Eyeless In Gaza took to the stage and delivered a very fine set of 12 songs, including seldom performed songs like Over the Waters, Voice from the Tracks and Dark Pools Flash. They all ended the evening together to perform one piece mostly improvisational with a drone of bells ringing for Christmas as end. Very nice evening, though few people had found their way to the venue this night (they joked that people had stayed at home to watch the X Factor final instead). I know many people wanted to come, but had problems getting there for reasons of weather and other things. Let us hope for similar events in the future and better chances for more people to come and experience the great music that these people can deliver on a night like this.
Eyeless In Gaza live at The Vortex in London, UK on December 3rd
(Updated January 25th 2014)
Eyeless In Gaza were making a rare London live gig appearance on Friday December 3rd, 2010 – with the concert starting at 8pm, complete with two support acts. The Vortex Jazz Club, 11 Gillett Square, London N16 8AZ. Tickets are £10.
The gig went quite well and the venue was packed (no photos has surfaced yet). Read the fine review by Andy Wilson of the event!
Here’s the set-list: The Decoration (Caught in Flux)/Dark Pools Flash (Mythic Language)/Morning Singing (Letters Written)/Light Sliding (Pale Hands I Loved So Well)/All Yr. Pages (Saw You in Reminding Pictures)/Still Air (Caught in Flux)/Snow Rages (Stars Come Trembling)/Voice From the Tracks (Caught in Flux)/Lilt of Music (Sun Bursts In)/Centrepiece (Mythic Language)/Shorepoem (Mystery Seas)/Over the Waters (Mystery Seas)/Leaves are Dancing (Rust Red September)/Fracture Track (All Under the Leaves, The Leaves of Life)/ encores: Mountain Tomb (Imagination Feels Like Poison)/Leaves of Life (All Under the Leaves, The Leaves of Life)
Answer Song & Dance
new album out – January 29th
(Updated May 11th 2010)
Answer Song & Dance Cd is a new album by Eyeless In Gaza that provides an overview of their current sound. It contains roughly 1/3 previously unreleased material and some hard to find songs. It was released on January 29th in Germany, Austria, Switzerland and Greece by Monopol Records. A-Scale has a limited number of signed copies available for sale at £11 (incl. postage). Send us an e-mail for payment information:
Track-list: 1 Wildcat Fights (regular shorter version)/2 Shorepoem (new Eyeless version)/3 First Blue Distance/4 The Keep/5 The 3-D Picture/6 Priests/7 Reedsong/8 Staring/9 To Cry Mercy/10 Summer Salt/11 Here, Friend of Mine/12 Brilliant Blue/13 Long Calling Summer
Read reviews of the album in three languages. The album is now also available through stores such as iTunes store, Amazon, 7digital, etc. in download form. At amazon.de, musicload.at and a few more places, you could also find the promo Cd extra version – Shorepoem (Radio Edit) (listen to excerpt) for sale (as well as the Martyn Bates original, which could be found elsewhere too). (The album is even available in my Swedish iTunes store for once.) The Cd with the nice booklet is mostly available from sellers in the mentioned countries above.
New interview with Eyeless In Gaza
(May 1st 2010)
Eyeless In Gaza: Writing is a manifestation of the psyche interview with Eyeless In Gaza in the Greece online magazine Mix Grill by Dimitris Antonopoulos. – Lots of interesting things to read there to stay afloat about what’s going on chez Eyeless. There are also talks of upcoming gigs in Greece, but this will be announced separately here when and if it happens!
Eyeless In Gaza live in Coventry, UK, Feb 27th
(Updated March 4th 2010)
Eyeless In Gaza gave a concert in Coventry on Saturday 27th (20 pm) February, 2010 at St John’s Church.
Eyeless In Gaza shared this evening with other fine artists: Baby Dee and The Cairo Gang. Baby Dee has been performing with bands like Current 93 and Anthony and the Johnsons.
For tickets (£10), see the listing at the Tin Angel website or directly from We Got Tickets.
The concert was brief, due to sharing the stage with two other bands, but quite successful and well received by a decently large audience. In the words of Martyn Bates: “This went very well – nice turnout of Eyeless In Gaza people/fans – and a FANTASTIC ‘special’ atmosphere there. – A good night.”
The set-list: The Decoration/Priests/Lilt of Music/To Cry Mercy/Inky Blue Sky/Still Air/Snow Rages/All Yr Pages/Red Berries/The Mountain Tomb/Fracture Track. Photo: Declan Cusack.
Eyeless In Gaza live in Berlin
(Updated February 16th 2010)
Eyeless In Gaza’s concert in Berlin in early February, promoting their new Answer Song & Dance album, was a fantastic success with a packed A-Trane venue. This time the band was a 4-piece with violin player Damian Dudu.Poster (low-quality jpeg).
The set-list: SET1: Between These Dreams, Snow Rages, Red Berries, Lilt of Music, Still Air, Reedsong, Dark Chorus, Summer Salt, The Carnal & the Crane, Sweet Life Longer, Just After Sunset; SET 2: So You Appear, Shorepoem, Evening Music, Born and Beginning, Fracture Track, All Yr Pages, Guide This Night, Others, Wishing Songs, Sunset 1903, Inky Blue Sky, Cry Mercy, Leaves are Dancing, I’ll Wrap Your Hopes; ENCORE 1: Centrepiece, Wildcat Fights; ENCORE 2: Down by the Sally Gardens, The Decoration, Priests. (Photo by Anne.) Other photos from the concert by Ian Land.
Eyeless In Gaza live gig in Coventry, England
(updated December 22nd 2009)
The concert Eyeless In Gaza gave this last friday before Christmas was a fantastic wonderful delivery of some of their best songs during the years, with a focus on newer material. They really feel at home with live concerts once again and they have not really lost any energy during all these years. They are still delivering the songs as if they were fighting to break through and with eagerness, concern, alertness, dexterity, precision, and earnestness. They sound as fresh, beautiful and interesting as ever. They still have more edge to the music than you will find nearly anywhere among musicians today. The energy is ever present, but controlled by experience and expertness in what they are doing. Though they are still exploring and still unafraid to improvise. Playfulness, energy and beauty are always there. It felt like an honor simply to be present there. People were captivated by Eyeless delivery this evening.
First was a short poem reading session with Elizabeth S. & Robin Stokoe backed by unusual “mythic” style soundscapes by Eyeless In Gaza (turn up the volume on ‘Sun-Like-Gold’ …). Then Eyeless played two sets + encore: first set: Snow Rages, Red Berries, Lilt of Music, Still Air, Reedsong, Dark Chorus, Summer Salt, The Carnal & the Crane, Sweet Life Longer, second set: So You Appear, Shorepoem, Evening Music, Born and Beginning, Fracture Track, All Yr Pages, Guide This Night, Rose Petal Knot, Others, Streets I Ran, Leaves are Dancing, I’ll Wrap Your Hopes, encores: Centrepiece, Wildcat Fights. Only ‘So You Appear’ was all new to me myself, but several of the songs had I never heard performed live earlier. The best songs in my mind included: Red Berries, Reedsong – both on Martyn Bates’s A Map of the Stars in Summer and Centrepiece (a piece that may turn up on the upcoming archive Cds planned for release in 2010).
Eyeless in Gaza performs live at Taylor John’s House in Coventry on December 18th. Door opens at 7:30 pm. Tickets are available in advance right now for £7 through the Tin Angel website.
Martyn Bates comments: “Lots of water has passed under the bridge since those early WIRED Eyeless days, and I feel that we are still very much the same, perhaps with an even greater emphasis thesedays on the value of the song- form. One thing is nowadays there is experience and insight – sometimes. Plus I don’t rip my voice to shreds anymore (yep, danger of nodes/doctor’s advice).”
“Eyeless in Gaza camp are providing ALL the entertainment and live music this evening, essentially being “an evening of Eyeless in Gaza and friends” – which is to say, the support will be Eyeless/Martyn Bates releated poetry read by Elizabeth S. & Robin Stokoe (reading to Eyeless in Gaza music) + two sets by EYELESS IN GAZA. (Around 8 o’clock.)”
“We’ll probably tailor the music to suit the venue – which probably means quite a bit of acoustic material.”
“Elizabeth S joins us often now for some of the set – playing banjo, dulcimer, bits of percussion /harmonica/ melodica/ occasional keyboard + adding a third voice.”
“Pete plans to play the drums however, so there will be some electric + a bit noisier stuff.”
“It be will certainly be the first time Eyeless in Gaza have played in Coventry since 1981 – and only the SECOND time Eyeless in Gaza have played a gig on UK soil for 23 years(!!!!!!!!!!!!!!!!!!!!)”
Eyeless In Gaza are back in the recording studio in Berlin
(August 6th 2009)
Following on from a successful gig at Berlin’s Quasimodo Club last November (read the translated review from Berliner Zeitung), Eyeless In Gaza have just returned from recording at Berlin’s famous Hansa Ton Studios (studio of Bowie’s Low and Heroes, U2’s Achtung Baby, etc. – Green Day recording there just prior to Eyeless entering the studio). The band have re-recorded ‘Shorepoem’, re-setting it in an Eyeless In Gaza styling, and are currently at work on an album for Monopol records, set for late September release. At present the album is intended for release in Germany, Austria, Switzerland and Greece, being designed primarily to offer an “overview” of some of the key aspects of Eyeless In Gaza’s post-Cherry Red works, together with one third brand new material. Live performances are in the pipeline for September and November (contact ).
All Under the Leaves, the Leaves of Life re-release on Cherry Red with bonus tracks
(March 15th 2009)
All Under the Leaves, the Leaves of Life (July 1996), the now long sought after album, has finally been re-released on Cherry Red with an official release date of March 16th. Two extra tracks has been added to the album: the very nice ‘Luscious Word (Lot’s Wife)’ (first appeared on the Feardrop: Lagrimás de miedo No. 6 compilation in 1999) and the previously unreleased ‘The Carnal & The Crane’.
This album might have been the most popular album by Eyeless In Gaza since they resumed activities around 1992 after some solo ventures from 1987 up to then. The opening track is reminiscient of the Joy Division sound as its harshest and is then followed by a very varied yet cohesive set of tracks, including some stand-out pieces like: ‘Struck Like Jacob Marley’ (heavy electronic guitar work), ‘The Leaves of Life – Seven Virgins’ is a showcase of Eyeless unique capabilities in successfully merging very experimental and improvisational work into a lovely song, and ‘Three Ships’, which puts the listener out on a voyage of organ-based improvisational beauty, not unlike some of Terry Riley’s more successful works. The album was rounded off by the amazing acoustic guitar piece ‘As Was’. Read some of the reviews.
The album is available right now from Cherry Red (£9.95). It can also be bought as a download directly from iTunes store and other online music download shops, where you can choose to just buy the extra tracks in case you already have the original album.
YouTube video from January 20th – Eyeless In Gaza performs ‘Fracture Track’
(March 17th 2009)
See Eyeless In Gaza perform ‘Fracture Track’ (from All Under the Leaves, the Leaves of Life) live Jan 20th, 2009 in London, UK. (This song was originally performed already back in 1981.) Also see ‘Love is a Gift’ (from Martyn Bates’ Mystery Seas). (The only music videos ever made by Eyeless In Gaza are also available (legally, at least the first, which was the only one released at the time, 1982-83) – ‘New Risen’ & ‘Veil Like Calm’.
Song of the Beautiful Wanton limited rerelease on CDR
(November 16th 2008)
Following numerous requests received by A-Scale regarding this long deleted album, we are making a small run of an edition of this album, at an all inclusive price of £10 per copy (includes shipping worldwide).
This is a CDR edition, coming with a complete set of the original artwork (8 page booklet/rear & inlay artwork ). All copies are signed and inscribed by Martyn Bates & Peter Becker. Send an () with your e-mail to receive a Paypal address to send the money to! See also below for other titles currently available from A-Scale.
Dance cover of Eyeless In Gaza’s first single by Helen Zachariah
(March 7th 2009)
Helen Zachariah has made a cover of Kodak Ghosts Run Amok (Eyeless first single from March 1980!). She has turned it into a funky dance tune. NDN Records has pressed it on high grade quality DJ vinyl and hope to reach out to DJs and dance floors all around. The Kodak Ghosts Run Amok 12" is available now directly from NDN Records. Tracks: Side 1: Extended Dance Remix; Side 2: A) Radio Edit Version, B) The Lost Mix. You can listen to the Radio Edit version on their website! I knew a successful DJ back in the 80’s who DJed Eyeless songs with success, and now a track has truly been adapted for the dance floor, so it’s time for replay on the dance floor of a great Eyeless tune!
Summer Salt & Subway Sun Double Cd & Triple Cd – Out Now!
(Updated September 13th 2008)
Beta-lactam Ring Records released the new Eyeless In Gaza album on July 27th, 2008:
“ […] a new brilliant collection of music by Eyeless In Gaza Summer Salt & Subway Sun and presented in a gorgeous full color Cd boxset. The first 400 copies are packaged in a deluxe full color hard bound box, lyric booklet and [includes also] the bonus album Wildcat Fights, numbered and signed insert.” Mastered at Skye Masters.
There are two editions available directly from Beta-lactam Ring Records:
Summer Salt & Subway Sun triple Cd box ($40)
Summer Salt & Subway Sun double Cd ($20)
YES, Summer Salt is the same as the previously released Summer Salt & Subway Sun album (on Ambivalent Scale Recordings), which is now re-released (for better distribution) in companion with a new and previously UNRELEASED album – Subway Sun. To add something more of value to the album for those who already have bought the previous Summer Salt & Subway Sun, included with the first 400 copies is a bonus album – Wildcat Fights (a long single piece). A double vinyl version of the album will be available around mid to late October.
Subway Sun is a great new album. There are songs with classic organ playing, great electric guitar, wonderful singing, colourful improvisations and so much more … . You could listen to excerpts at the Beta-lactam pages – see the ordering links above!
Martyn Bates offers the following commentary on this huge set of recordings. “For me, one of the key impulses at work behind this set of recordings is an understanding of “The City”, where individuals are clearly a microcosm within the macrocosm – a distinct sense of a ‘person’ as a player on a stage with activity going on below them, around them, above them and also within them. The feeling is of something at work that is always subterranean … a sense of the invisible machinations of men and Gods. This is evidently something material – namely, work being done in the here and now. It is an expression of something non-corporeal, however … of something bigger than ‘spiritual’, you might say. And yet it is holistic, and ‘of the body’ somehow. For me, this is a ‘big picture’ that makes perfect sense: this context of living, as a body and a sprit – where the THE CITY is resolutely an outward manifestation of the human psyche. This warming and awe inspiring thought was with me during the writing, arranging and recording of this mammoth set of recordings.”
1. Star Pool, Milky Way
2. All New
3. I Told You It Wouldn’t Rain
4. Phantom Music
8. Antiphony Whispers
9. Song-like in the Dead Night
10. Five Songs
As this was not enough, Martyn let me know that: “Eyeless In Gaza have been working on new material, new recordings. And there’s been a spate of new songs by me, mostly solo stuff.” – So it is not like that they have emptied their musical pockets here!
Concerts by Eyeless In Gaza in Berlin and Barcelona
(Updated November 16th 2008)
The gig in Berlin was very successful with over 160 people in the audience at the jazz place Quasimodo. People came from Greece, England, Ireland, Belgium, Russia and many other places. Eyeless In Gaza also appeared on the Radio Eins to promote the event and played Reedsong/All Yr Pages/Dark Chorus.
Here is the set-list from the gig: Set 1: 1 Drumming the Beating Heart/2 Rose Petal Knot/3 To Cry Mercy/4 Picture the Day/5 Still Air/6 Keynote Inertia/7 Knives Replace Air/8 Harps in Heaven/9 Reedsong/10 Dark Chorus/11 All Yr Pages (My Lost Melody)/12 Morning Singing/13 Blue Distance (Fracture Track)/14 A Needle To North/15 Others/16 Leaves Are Dancing/17 Summer Salt
Set 2: 18 The Decoration/19 Snow Rages/20 Two/21 Transience Blues/22 Priests (new song)/23 Faceless/24 From A to B/25 The Mountain Tomb/26 Ebbing All The Years/27 The Apple Orchard/28 I’ll Wrap Your Hopes; Encore 1: Back from the Rains; Encore 2: Evening Music. (Thanks Alain!)
Eyeless In Gaza appear on Mojo magazine Leonard Cohen tribute Cd
(Updated November 16th 2008)
The December issue of Mojo magazine comes with a free Leonard Cohen tribute Cd. The issue is out now!
Martyn Bates says about Eyeless In Gaza’s contribution of Priests: “For me personally it’s as much a tribute to hideously overlooked Judy Collins Wildflowers, as much as it is a tribute to Leonard Cohen … altho it is indeed a strangely overlooked and rarely mentioned Cohen gem. It was an honour to sing this song.”
1 Ian McCulloch – Suzanne
2 Katie Melua – In My Secret Life
3 Claudine Longet – Hey, That’s No Way To Say Goodbye
4 Dion – Sisters of Mercy
5 Linda Thompson – Story of Isaac
6 Eyeless In Gaza – Priests
7 Allison Crowe – Joan of Arc
8 Susanna and the Magical Orchestra – Hallelujah
9 Nick Cave & The Bad Seeds – Avalanche
10 Josh Ritter – Chelsea Hotel No. 2
11 Phil Campbell – Take This Longing
12 Martha Wainwright – Tower of Song
13 Judy Collins – Song for Bernadette
14 The Handsome Family – Famous Blue Raincoat
15 Mr David Viner – Tonight Will be Fine
Priests is an exclusive recording for the Cd, recorded on the evening of Friday12th September 2008.
Eyeless In Gaza appear on the new Cherry Red singles box
(September 13th 2008)
I’ll Give You My Heart, I’ll Give You My Heart – The Cherry Red Singles Collection 1978-1983 (crcdbox4) contains 185 tracks from a long line of Cherry Red Records artists, including Eyeless In Gaza. Eyeless In Gaza appears with the following songs: Invisibility + Three Kittens + Plague of Years. (These pieces also appear on the Photographs as Memories Cd.) 8 Cds and write-ups from band members, including Martyn Bates! Price £ 49.95 (a bit ...).
Mojo award to Eyeless In Gaza (as part of people behind the Cherry Red classic compilation Pillows & Prayers) !
(Updated August 19th 2008)
Martyn Bates from Eyeless In Gaza, together with Lawrence of Felt and Bid of The Monochrome Set was recently invited to a Mojo award ceremony to receive a price for the classic Cherry Red compilation Pillows & Prayers to which they all contributed. This album has recently been reissued in a new box by Cherry Red with additional material and comments. Read here the unedited comments by Eyeless In Gaza. Here are Martyn’s comments on the event:
“I dunno … it was strange, with luminaries old and new present – some of whom I like their stuff, others definitely not! It felt natural enough to be there. – I knew that I belonged there right enough, but there was a definite ‘air of unreality’ present which permeated the whole endeavour. It was indeed crammed with music makers of a various stripe, so fuck it! Why not me in there with ’em !! i.e. Sex Pistols, Seasick Steve, Led Zeppelin, Jethro Tull, Arctic Monkeys, Duffy, Lemmy, Neil Diamond, Judy Collins, My Bloody Valentine, The Specials, Mark E Smith, John Cooper Clark, Paul Weller, Irma Thomas, Genesis, John Martyn, Julian Temple, Jazzy B, Toots Hibbert, Nick Cave ( + ?????? … ). It was nice to catch up with Bid and Lawrence after all this while. Also, believe it or not, it was a pleasure to meet Rat Scabies – who, despite ridiculous suspicions to the contrary turned out to be a real Gent.”
You can see the relevant part of the ceremony here (YouTube video).
Remastered early Eyeless In Gaza albums released February 2008
(Updated February 9th 2008)
Cherry Red Records has just re-released the early Eyeless In Gaza albums: Photographs as Memories (1980-81); Caught in Flux (1981); the later Back from the Rains (1985), but most importantly Drumming the Beating Heart (1982) and Pale Hands I Loved So Well (1982).
Martyn Bates of Eyeless In Gaza give his views today on these albums:
Photographs as Memories – originally released in January 1981
Caught in Flux/The Eyes of Beautiful Losers – originally released in September 1981
Drumming the Beating Heart – originally released in July 1982
Pale Hands I Loved So Well – originally released in June 1982
Back from the Rains – originally released in June 1986
On a final note, it’s good to see all this glorious stuff out on Cherry Red again – especially in their brand spanking new remastered forms – for which, kudos and muchos thanks to Scott Davies. Cheers, Scott!
Especially Drumming the Beating Heart and Pale Hands I Loved So Well has received a much augmented sound from the previous disappointing CD release and for the first time since the mid-80’s you can now listen to the albums as they were supposed to sound. Now, finally, I feel it should be possible to understand why Eyeless In Gaza was so popular and influential during the early 80’s. The Cds lack the wonderful original sleeves of the vinyls, but the music is there, intact! Drumming the Beating Heart and Pale Hands I Loved So Well are also released on one disc, so a real bargain! The albums are available from most major webshops and also directly from Cherry Red.
Photographs as Memories is a dense, but lyrical album, with some of the most soulful post-punk tunes there ever was. This album explains so much about the mindset of young people listening a lot to independent/DIY type of music in the years 1979-1983. The only album that makes me think grey days in February and March could have some kind of wonderful atmosphere in them. Caught in Flux/The Eyes of Beautiful Losers was the slightly less harsh and more obviously beautiful album, which I believe to be the album that is the main reason Eyeless In Gaza subsequently enjoyed much success – for a while, at least. This album is very coherent and it shows its merits best when listened to from start to finish! This album is perfect to listen to while walking at dark in wintery/snowy landscapes, but also it is an early Spring album. Drumming the Beating Heart begins where Caught in Flux left off, but with a focus on church organ. This is almost defining the early 80’s indie music and gained therefore also much appreciation. This album also looked forward to the more and more pop oriented way that the whole indie scene at the time hurriedly embraced. This still had nothing at all to do with mainstream pop and in many ways this was the peak of the early Eyeless In Gaza. As I see it, it is a cheerful, fresh album best enjoyed in Spring :-). Pale Hands I Loved So Well was released on a company in Norway that also had released Fra Lippo Lippi’s first album In Silence (which was far superior to anything they subsequently did). Pale Hands is an album that showcases the best of the improvisational side of Eyeless In Gaza and which really sets them apart from their contemporaries, none of whom could really succeed at this. This album is wondrous to me even now after hundreds of listenings and I think one could say this is the only romantic experimental music album ever done – this is an essential album to listen to if you are interested in music at all. (In my mind this is still the most impressive album by the band.) After going more sweetly indie-pop with Rust Red September – also a great autumnal album, they finally released their stab at pop with Back from the Rains and toured Europe with Depeche Mode and was on their way to eternal fame in the world of the Music Establishment. It was still too honest an album to pave the way for true success and a dark cloud loomed above it indicating that these musicians may simply have too much integrity to just fall through into the music hall of fame like that. Back from the Rains is still a nice warm Summer album. Eyeless In Gaza some years later came back to their senses and back right on their own track again.
A Map of the Stars in Summer lyric book + Cd – Out Now!
(April 13th 2008)
A Map of the Stars in Summer – a new lyrics book by Martyn Bates – collects together mostly previously unpublished Martyn Bates & Eyeless In Gaza lyrics. (120 pages) It is accompanied with a Cd containing 5 new songs by Martyn Bates and also one new song by Eyeless In Gaza! Lyrics to the songs are found in the book.
1. Reedsong (Elizabeth S./Martyn Bates)
2. Red Berries (Martyn Bates)
3. A Needle To North (Peter Becker/Martyn Bates) by Eyeless In Gaza
4. Fell Hill (Martyn Bates)
5. Start Where You Are (Martyn Bates)
6. Where Was the World (Martyn Bates)
This is a great mini-album by Martyn Bates & Eyeless In Gaza that is destined to become one of the more popular releases by Martyn Bates. Splendid full songs throughout, with Elizabeth S. joining in on banjo and voice. The Eyeless In Gaza piece is also a great song and would easily stand out on any album.
The book+Cd is available directly from the publisher. (Price: 26 €, incl. shipping worldwide.) Release date March 31, 2008.
Eyeless In Gaza – Concert in Spain October 27th
(Updated November 8th 2007)
The concert was very successful and the band played some new songs never played before. The set-list: All the Young Men/Cry Mercy/Monstrous Joy/Still Air/Snow Rages/Needle to North/Dust Alphabet/Fell Hill/Red Berries/Dark’s Chorus/Throw a Shadow/Evening Music/Harps in Heaven
Eyeless In Gaza played live in northern Spain on October 27th at this year’s Periferias festival in Huesca. The venue was the Palacio de los Deportes in Huesca.
Other artists that played at the festival included: Six Organs of Admittance, Larsen, Robin Williamson, Jenzo, The Waterboys, Thee, Stranded Horse, Andy Votel and others. Photo © Pedro García.
To receive announcements early on future concerts, join the .
The long-awaited New Eyeless In Gaza album: Summer Salt & Subway Sun
(Updated August 9th 2007)
Summer Salt & Subway Sun was released on Ambivalent Scale Recordings on October 30th, 2006, Limited edition of 1000 hand-numbered copies). Buy here for 11 £ incl. shipping, through Paypal, from A-Scale! To order, click the button here (a Paypal account is not needed if you have a credit card).
Currently the only way to buy the album is through this Paypal link, so get it here now!
“People seem to be finally cottoning on to the fact that we’ve always included lots of different elements of so-called wyrd-folk in our music. It’s strange – it seems to be everywhere in 2006 – it’s like it’s this season’s lounge-core or something. That’s why it seemed important for us at this point to put together an album full of loose sounding, noisy pieces and electric guitar stuff … .” – Martyn Bates
It’s fair to say that the birth of Summer Salt & Subway Sun has proved to be amongst the most chequered in the 26 year history of Eyeless in Gaza, which was some three years in the making (following on from 2000’s Song of the Beautiful Wanton and 2003’s collaboration with Lol Coxhill, Country Bizarre).
Originally, the intention was to put together a double album, centering around an “escalated excitement with the idea of cities as new, blank texts – contrasted with the kind of sense of alienation and loss evoked in such works as J.G. Ballard’s Concrete Island.” The completed Summer Salt & Subway Sun works as a kind of survival or synthesis of these ideas – and also as an illustration of Eyeless In Gaza as ‘studio animal’, contrasted with their (newly re-discovered) life as a regularly gigging band. (– The band has been off the road since the late 80’s, but have recently gigged in Bruxelles, London, and Athens – with forthcoming gigs in Italy, Iceland and the U.S.). The album thus neatly encapsulates two key aspects of the music Eyeless in Gaza are presently creating – offering a balance of atmos/acoustic material and sprawling, rhythmic/semi-improvised spidery electric pieces. This has resulted in a heady blend of song based material juxtaposed with a distinctive brand of kaleidoscopic, “cityscaping” filmic musics. Perhaps unsurprisingly, it is the latter, primarily instrumental pieces which gleefully reflect the band’s recent activity in cinema – in Patrice Chereau’s controversial Intimacy, and Jim Jarmusch collaborator Glen McQuaid’s poetic, sub Hammer short, The Resurrection Apprentice.
After the plaudits attributed to the 25th Anniversary release of No Noise compilation (“They were one of the great bands that emerged (from the) post punk (period)” – Alan McGee) Eyeless In Gaza continue to display a characteristic “fierce independence” of style and attitude – with the release of Summer Salt & Subway Sun, issued via the band’s own A-Scale label, at present only available directly from EyelessinGaza.com.
Track-list: Dust Box-Subway Sun/Whitening Rays/Mixed Choir/Summer Salt/The 3-D Picture/Before Beginning/Where Vivid Bloomed/Paper Aeroplanes/Antipathy Whispers/Ebbing All the Years/Ghost Blocks. Mastered at Skye Masters.
Reviews of the album and Jerry’s (webmaster) thoughts.
Earlier report: Work continues somewhat sporadically on this seemingly Herculean project, due in part to teething troubles with the new studio set-up. Recordings have been concluded for this album (finally!), with editing and mixing beginning this week. The genesis of this particular project, I think it’s fair to say, is proving to be one the most chequered and ‘peculiar’ in the history of the band, as yet another sea-change is sensed at work within the music. It is beginning to feel like a single album again, and NOT a double, as last reported. This is principally due to the exciting nature of the concluding recording sessions, where inspiration and energy focussed upon a completely different strand of creativity. This resulted in the creation of several brand new songs and pieces, which will be developed to, it is hoped, eventually coalesce as an entirely separate set of recordings entitled Monster Field.
Even earlier report: February 2006 sees operations begin again – to assemble and complete this long awaited album, following a protracted studio refurbishment/overhaul at A-Scale. Presently, this work would seem to be taking on the shape of a double album – where one disc will focus on ‘summer salt’, and the other on ‘subway sun’. These twin concepts neatly encapsulate two key aspects of the music Eyeless In Gaza are presently creating: a balance of atmos and acoustic based material and electric stuff. In several cases, aspects of recordings still need to be completed, mixed and neatly filed for consideration for inclusion. Much material has accrued, and as may be expected considering the time gone by since Beautiful Wanton and Country Bizarre: there is a huge backlog to be evaluated for selection. Initially, the album was set out to feature a “strong thread” running throughout – with new material angled so as to be readily reproduced in “live performance mode”. The music itself, however, wanted to do “otherwise”, and the original remit has long since outgrown its forlornly designated constraints. Pieces for consideration so far include: The Rock/Whitening Rays/Before Beginning/Miraculous Energies/Clanging Summer/Giant Deserts Stretch Below Us/Teeming Vistas. Expect an early Summer release for this long awaited album.
The Observer Music Monthly article by Simon Armitage
(August 17th 2008)
In The Observer Music Monthly, March 16th 2008, the highly respected poet and Booker Prize judge Simon Armitage talks about his musical tastes in a five page article and the best gig he ever attended – Eyeless In Gaza & Felt at the Students Union, Portsmouth Poly, 21 January 1984.
Article on Eyeless In Gaza & Martyn Bates in the April issue of The Wire
(April 21st 2007)
There is a prominently featured fine article on Eyeless In Gaza & Martyn Bates in the April, 2007 issue of The Wire. The Wire should be available in many press shops around the world, but otherwise you can contact them via their website. There is also a nice article on Terry Riley, who has been of some influence on Eyeless In Gaza. Now you can read the article here – Eyeless In Gaza – Patterns under the plough.
Other recent reviews on Eyeless In Gaza & Martyn Bates includes reviews of the recent overview albums of Eyeless In Gaza and Martyn Bates respectively on Sub Rosa at Terrascope Online.
Photo: Ivan Jones.
Björk has Eyeless In Gaza on her playlist & website
(Updated August 25th)
2009: Björk again featured Eyeless In Gaza on All Songs Considered on June 29, 2009.
From 2007: Björk now mentions Eyeless In Gaza prominently on her website (bjork.com) and has mentioned Eyeless In Gaza in at least one recent interview too. This has caused a big raise for interest in the Eyeless In Gaza MySpace site recently!
Björk published (Friday April 27, 2007) her playlist in the online version of The Guardian – Guardian Unlimited – and list Eyeless In Gaza’s ‘Throw a Shadow’ from the Drumming the Beating Heart album. It is not surprising that Björk would listen to Eyeless In Gaza, given her musical background, but is surely nice to see her mention them! Maybe now is time to re-release this album and the Pale Hands I Loved So Well album separately and remastered? [Drumming the Beating Heart & Pale Hands I Loved So Well were remastered and re-released by Cherry Red in 2008.] Unfortunately now many of the most best-selling Eyeless In Gaza albums are out of stock – we hope this a temporary thing!
Sub Rosa Records releases new Eyeless In Gaza compilation: Plague of Years Out Now!
(Updated October 19th 2006)
Plague of Years (songs and instrumentals 1980-2006) (SR263) was released on October 15th by Sub Rosa. This is meant to act as a ‘sister release’ to No Noise, in that it features more of the ‘improvised side’ of Eyeless In Gaza’s work. It includes a radically different mix of ‘Mixed Choir’, from the forthcoming Eyeless In Gaza album Summer Salt & Subway Sun. The release will be available via Ambivalent Scale. Track-list: Mock Sun (instrumental) (1994)/Reminding Pictures (1994)/Every Which Way (1981)/Mixed Choir (instrumental) (2005)/One by One (1982)/Before December (instrumental) (1980)/Fever Pitch and Bite (1981)/History Book (1995)/John of Patmos (1980)/See Red (1981)/Rose Petal Knot (1980)/Guide this Night (1995)/The Lovely Wanton (2001)/To Steven (instrumental) (1984)/Sun-Like-Gold (1984)/To Elizabeth S. (instrumental) (1984)/At Arms Length (1982)/Lights of April (1982)/To Cry Mercy (1995)/She Moves Thru The Fair (1985)/Falling Leaf -Fading Flower: Goodbye to Summer (1982).
(21 tracks, 77 minutes length, 8 pages deluxe digipack + full booklet with all lyrics & credits)
From the press release:
“This Cd deals with two sides of the group.
First is its deeply lyrical vein, with summits like See Red and Lights of April, tracks that have almost never been included on ‘best-of’ projects, despite the fact that they represent some of the most moving songs these musicians ever wrote.
This collection also explores the group’s more adventurous side through a number of instrumental pieces. This aspect of their output is little known and often neglected, even though it was there from their very beginnings. These two combining currents, where experimentation precedes lyricism (and the other way around), turn this album into a truly new way of (re)discovering Eyeless In Gaza. This unique architecture creates the impression that each side strengthens the other one’s presence.
Probably for the first time ever, the 21 tracks so redistributed provide the band with irrefutable arguments toward its rebirth. Yes, Eyeless In Gaza is one of the most underrated groups.
Let us hope these two CD siblings [the other one being the just previously released Your Jewled Footsteps (solo and collaboration works 1979-2006) (SR 257) by Martyn Bates] finally set the record straight. In this world of ours, will integrity finally pay off ?”
Eleventh Hour Announcement: Informal Performance featuring Pete Becker & Martyn Bates among others
(June 20th 2007)
Martyn & Pete have been invited to play a short set at the Temple Music gig on Saturday 16th June at St. Leonard’s Chapel, Kirkstead, Woodhall Spa, Lincolnshire, England.
Here is a review from the event by Matthew Holder:
I was fortunate to be heading in the general direction of Lincolnshire at the weekend and managed to get to St Leonard’s Chapel to see the Orchis / Eyeless / Temple music performances.
The set played by Martyn, Pete and Elizabeth S was as follows:
Still Air/Mountain Tomb/Dark’s Chorus/Acapella ‘Love is a gift, you brave sons and daughters’ segued into Pearl and Pale/Lost Melody/I’ll Wrap Your Hopes/You So Secret/Faceless/Down in Yon Forest/Snow Rages/Harps in Heaven
Just over 40 mins for their set.
The tiny chapel could probably cram in 80 people and was in the middle of a remote field amongst the grassy mounds and humps of the ruins of an abbey – quite an evocative setting. On the night it was mostly attended by local villagers – some elderly, some young, the local priest and friends and family of the performers – about 35 people. Martyn, Pete and Elizabeth S sang with no mike and as Martyn put it – just a little electricity to add volume to the guitar. The acoustics of the chapel allowed their voices to carry strongly and clearly. This ancient chapel seemed an appropriate setting for Eyeless songs which often seem to draw from both ancient and modern traditions and the religious and secular. By the end of their set it was heading towards dusk and the candles which provided the only lighting inside the chapel created just the right atmosphere as Temple Music played their piece in a shortened 25 minute performance. Alan Trench said by way of introduction that the full version could last for 1.5 hours. Martyn, Pete and Elizabeth sat and listened in the audience during the piece which started with sampled/electronically generated birdsong and developed around Djembe; Harp; Bowed Psaltry; Singing Bowls; electronics; Pump Organ; Bass and effects guitar which all built and shimmered in quite a mesmerising way. All in all an excellent evening, well received by those who would not normally be part of the Eyeless audience.
Eyeless In Gaza – Concert in Antwerpen, Belgium February 17
(Updated April 12th 2007)
The concert was very good according to people present at the concert. Unfortunately the turn-out was rather low.
Eyeless In Gaza gave a concert in Antwerpen, Belgium on Saturday the 17th of February 2007.
Address to the venue
Schouwburg Cultuurcentrum Luchtbal
Columbiastraat 8, 2030 Antwerpen
Website: http://www.ccluchtbal.org/ (tickets + more info)
Price: 12 € (in advance) 15 € (at the door)
(William Street is a support band for the night.)
Eyeless In Gaza – Concerts in Greece November 23-24
(November 20th 2006)
Eyeless In Gaza will perform live yet again. This time in Greece by the end of the month.
23rd November in Athens at Gagarin205
203-205 Liosion Street, 104 45 Athens
24th November in Thessaloniki at Mylos-Xylourgeion
56 Andr. Georgiou Street, 546 30 Thessaloniki
Sub Rosa Records releases new Martyn Bates compilation: Your Jewled Footsteps Out Now!
(Updated September 20th 2006)
Sub Rosa releases the first comprehensive overview of Martyn Bates solo oeuvre and key collaborations – Your Jewled Footsteps (solo and collaboration works 1979-2006) (SR 257). Release date: 15th September 2006. Track-list: Cut Like Sunset (1982) - from Letters Written/Shorepoem (1994) - from Mystery Seas/ I Cant Look For You (1996) - from Imagination Feels Like Poison/First and Last February (1989) - from Letters To A Scattered Family/The God On the Tree (1996) - from Imagination Feels Like Poison/Morning Singing (1982) - from Letters Written/Of That So Sweet Imprisonment (1996) - from Chamber Music II/Mirrored In Me (1982) - from Letters Written/Twilight Turns From Amethyst? (1994) - from Chamber Music I/Once Loved (2005) - by Twelve Thousand Days - from At The Landgate/Dissonance Excerpt (1979) - by Martyn Bates/Migraine Inducers - from Dissonance/Later War Cries (1990) - from Stars Come Trembling/Poems Pennyeach (2000) - from Dance of Hours/The Garden of Olives (1998) - by Martyn Bates & Anne Clark - from Just After Sunset (tho this track does not actually feature Anne)/No-one Spoke (1996) - from Imagination Feels Like Poison/Overflowing Look (1982) - from Letters Written/Cherry Tree Carol (1997) - by Martyn Bates & Max Eastley - from Transformation Songs/Once Blessed (2000) - from Dance of Hours/The Cruel Mother (1996) - by M.J. Harris & Martyn Bates - from Incest Songs (Murder Ballads, vol. 2)/The Dim and the Yellow Light … (2005) - from Leitmotif.
(20 tracks, 75 minutes length, 8 pages deluxe digipack + full booklet with all lyrics & credits)
From the press release:
“During those 20 years, against all odds, Bates managed to shape a unique, instantly recognizable form of music – that voice! – based on a deeply rooted, 100% English folk tradition. In our opinion, he is also greatly underrated as a songwriter. In his solo work and in EIG, he has developed what can be called a style: a combination of angst (a working-class hero) and pure melancholia (time irremediably lost, the loss of idealized love), mixed in with an unconditional love of poetry (Keats, Yeats, Joyce) and authentic popular song stylings. In other words, Martyn Bates belongs to a tradition that can be traced all the way back to the troubled times of the Elizabethan era. Your Jewled Footsteps journeys through made-in-England pop, folk, poetry recitation and reconstructions of songs whose origins are long forgotten. In addition to Bates’ essential pieces, the collection also includes several previously unreleased tracks, including some pre-Industrial sound works predating EIG’s formation, in the late ’70s.
Please note that on the design front, we will be introducing a new series featuring the artist in his immediate surroundings (studio, home, street, city?), in the shape of a 8 pages digipack (presenting around 20 photographs) with separate booklet reproducing all the lyrics heard on the CD.”
Martyn Bates – Concert in Geneva September 28th
(September 14th 2006)
Larsen, Baby Dee (recently toured with Current 93), Mir and Martyn Bates will share the night at Le KAB on September 28th in Geneva, Switzerland. Martyn Bates and Elizabeth S. plan to perform Twelve Thousand Days tunes, Monstrous Joy, and other songs never played live before. For more information visit: Le KAB.
At long last, various Ambivalent Scale recordings are to be made available directly via the Internet from the label itself – details later.
(September 14th 2006)
Eyeless In Gaza & Martyn Bates – Concerts in Brussels on June 9th & 10th 2006
(Updated September 14th 2006)
The concerts were a tremendous success in terms of the performance, atmosphere and nice supportive people attending the concerts. The organisers were a little disappointed by not having more than around 200 in the audience. Martyn and Pete were satisfied with the sound and their performance, which included many songs never performed before, like the new Voices and Summer Salt songs from the upcoming albums, Summer Salt & Subway Sun and Monster Field (tentative title).
First real Eyeless In Gaza concert outside England since 1986!!! If that is not enough, Martyn Bates will perform in solo capacity the night before at the same venue – a wonderful venue – ‘Eglise Sainte-Catherine’, one of the largest churches in Brussels. Book June 9-10 as the weekend you will visit Brussels this year if you do not enjoy living there already!
Dark Holler distribution
(February 9th 2006)
Dark Holler still have a few copies remaining from their distribution of the leftover stock of the Ambivalent Scale releases from the now defunct World Serpent label. These include Bitter Apples, Streets I Ran and Martyn Bates’ solo Mystery Seas. Dark Holler have also re-issued Martyn Bates’ Imagination Feels Like Poison album on the Hand/Eye label.
DVD release Saw You In Reminding Pictures
(Updated October 22nd 2005)
This DVD was released early August (officially on July 18th) by Cherry Red Records records and contains live video material – from 1982 and from last year’s “secret gig” – and their old New Risen and Veil like Calm videos.
A review appeared in the October issue of Mojo magazine.
Online forum with an Eyeless In Gaza/Martyn Bates Performance Record and a place to leave comments
(October 22nd 2005)
All Yr Pages: A Performance Record – also a place to leave comments! If you have additional information or simply wants to comment on something, feel free to sign up and contribute!
Film music by Eyeless In Gaza in the recent The Resurrection Apprentice
(Updated October 22nd 2005)
Martyn Bates has written a score for the music of The Resurrection Apprentice, a short directed by filmmaker Dan McQuaid – colleague/collaborator of/with Larry Fassenden/Jim Jarmusch. The work was realised in tandem with Pete Becker – who played on several pieces, recording and engineering the work. It is now listed at the IMDB Movie database site. It premiered at the Fantasia Festival in Canada on July 20th 2005.
Review and photos of the London July 29th 2005 concert
(September 26th 2005)
Eyeless In Gaza gave a super concert to a very enthusiastic audience at Bush Hall venue in London. The event was video-filmed and there might be a DVD release coming later. They played many of their classic songs, like Rose Petal Knot, Back from the Rains, Corner of Dusk, but also newer and some never performed before pieces like Bitter Apples, Glow of Sight, Lullay My Liking. I have collected some fine photos from the event on a separate page and here are some more photos.
A review of the concert.
An Italian review of the concert. (There may be an english translation later on. Google Translation could be helpful.)
Martyn Bates concerts in Paris and Brussels
(September 24th 2005)
Martyn Bates gave exclusive live concerts near Brussels (Castle de Feluy (www.chateaudefeluy.be, August 27th) and Paris (Black Dog bar (www.blackdog-bar.com), August 28th). This was the first time Martyn performed in solo capcity in Europe since 1996. He was accompanied by Elizabeth S. and in Paris, Pete Becker joined in, making it a very special event!!! There is a burst of activities from Eyeless In Gaza these days and they again wish to reach out to people more than ever.
Not only this, but B’Eirth of In Gowan Ring played In Gowan Ring songs at these events. They sold a very limited Cdr Ep only at these concerts with exclusive material from both artists. These events were organised by Shayo, www.shayo.ch.
No Noise – The Very Best of Eyeless In Gaza album
(Updated August 21st 2005)
From the Cherry Red presentation:
“Cherry Red signed the two piece synthesiser duo Eyeless In Gaza in 1980. Back then a cassette dropped through our letter box which was virtually the finished tape of their first, highly acclaimed, album ‘Photographs as Memories’. So 25 years have now passed by and Cherry Red are proud to present ‘No Noise – The Very Best of Eyeless In Gaza’ (CDMRED 279), a fascinating collection which contains all the best Eyeless tracks over those years.”
No Noise – The Very Best of Eyeless In Gaza was released on July 18th by Cherry Red Records records. Track-listing: 1. Bitter Apples (1995); 2. Kodak Ghosts Run Amok (1980); 3. Others (1981); 4. Harps in Heaven (1999); 5. Struck Like Jacob Marley (1986); 6. Tall and White Nettles (1982); 7. Among the Blue Flowers and the Yellow (1999); 8. Dreaming at Rain (1982); 9. Between These Dreams (1985); 10. Sunbursts In (1984); 11. She Tries on the Jewels (1993); 12. New Risen (1983); 13. Welcome Now (1985); 14. Point You (1981); 15. September Hills (1983); 16. Transience Blues (1982); 17. Looking Daggers (1980); 18. Drumming the Beating Heart (1983); 19. Veil Like Calm (1982); 20. Invisibility (1981); 21. Hunger Song (1994); 22. No Noise (1980).
Eyeless In Gaza – Concert in London July 29th 2005
(April 28th 2005)
Finally, Eyeless In Gaza are back performing live after more than a decade to celebrate the 25th Anniversary of Eyeless In Gaza. For more information and booking see the Bush Hall web site (Information now removed (2006)).
Eyeless In Gaza recent concert on Isle of Wight
(November 14th 2004)
On Saturday 6th Nov. 2004, Eyeless In Gaza reappeared on the live scene for the first time since 1993 and did a really great performance. In Ryde, Isle of Wight, Pete and Martyn played with a vigour and freshness one would not expect from a band formed back in 1980. They pulled off many old favourites like No Noise, Two, Others, Still Air, Leaves are Dancing, Pearl and Pale, Faceless and Back from the Rains. But they also did great versions of more recent outings like Slow Train, Saw You in Reminding Pictures, Bitter Apples and Less Sky. This band is not just doing some retro performances like so many other bands, but go ahead as if it was the first time they ever played these songs – and, well, several of the songs had never been performed live before.
The vitality of Eyeless In Gaza is still there as much as ever before. This was reassuring and hopes are up for more live gigs to follow. There exists some plans about a gig or two in London next year to commemorate the 25th anniversary of Eyeless In Gaza.
(This gig was a private party with invited guests only and that was the reason it was not announced beforehand. It was very well received by the guests.)
Eyeless In Gaza – Sonic History
(March 29th 2004)
Now available: a commented sound guide to the history of Eyeless In Gaza! 69 sound samples in mp3 (some more could be found here and on the Martyn Bates site). (Comments written by Jerry/webmaster.)
Eyeless In Gaza autobiography
(Updated February 14th 2005)
Martyn Bates is working on an autobiography of Eyeless In Gaza.
© Phillipe Carly, 2003 – www.newwavephotos.com
Home Produce: Country Bizarre album – The Tago Mago recordings: remixed and expanded Cd
(August 19th 2003)
The Home Produce: Country Bizarre album – The Tago Mago recordings: remixed and expanded Cd (NDN 37) by Eyeless In Gaza and Lol Coxhill was released on June 26th, 2003. The old Tago Mago recordings have been infused with new life and with additional new material! Originally the recordings were released on a cassette by the French Tago Mago label in 1982. Lol Coxhill performed on one half of the cassette and presented some fine (hilarious perhaps) saxophone improvisations and little tunes. Eyeless In Gaza recorded some of their most free improvisations to date, somewhat in the vein of their successful Pale Hands I Loved So Well album. Eyeless in Gaza’s are sometimes very moody and dreamy, but there is no song on these pieces. Now Eyeless In Gaza has undertaken to try and fuse the Coxhill pieces with their own and on top of it add some new improvisations and tunes to exciting ends. If you knew the original pieces you are likely to be intrigued about whether they could possibly have managed to be successful in this attempt. These recordings show more of the underrepresented (in the released works) experimental nature of Eyeless In Gaza. It is recordings like these that help explain why Eyeless could produce such original works all the time.
Read more about the album and you can also order it directly at NDN Records for $15 plus postage (see their order info page).
Songs: 1) Echoes And Edward, 2) Fragment, 3) November, 4) The Vacant Pool, 5) They Come And The Go, In Shards Of Silver, 6) The Odd Fellow’s Ball, 7) Creature Piece, 8) Little Suite I: B-Movie Prelude, 9) Little Suite II: Of Sorts, 10) Little Suite III: Silver, 11) Little Suite IV: B-Movie Prelude (Reprise), 12) Crêpe Paper Heart, 13) Rosary, 14) Echoes of Falmer, 15) Before December, 16) For Edward, 17) Mars Lighthouse I & II, 18) No, 19) An Odd Scent of Heaven, 20) End Theme.
A splendid review of Home Produce: Country Bizarre by Keith Moline appears in the The Wire magazine: issue 239 January 2004.
A new great review of Home Produce: Country Bizarre appears in the Winter 2003/2004 issue of the Ptolemaic Terrascope magazine.
Eyeless In Gaza song-list
(August 25th 2001)
You can now find an alphabetical listing of all published songs by Eyeless In Gaza (including a few pieces were they have made important contributions). Have a look at the Song-list!
Creature Box – Eyeless In Gaza & Tactile – Horse Startled by Lightning Cd
(Updated February 1st 1999/September 2nd 2007)
The Creature Box Cd is now complete and to be titled Horse Startled by Lightning or Three Strange Angels. It is unclear if it will be release anytime soon – I will be back with more definite information if/when I receive it. Martyn Bates says: “ It’s quite different from anything Eyeless have ever been involved in, to date … it’s the sound of imploding stars/behemoth machines and radio static/primordial diamonds buried in dirt/ectoplasm all over the amplifiers/crumbling explosions … it’s a noisy, untrammelled journey … I can safely say it’s the most unhinged thing we’ve been involved in for a long time!”
Tracks: Snowsnake/Antipathy Whisper/I Told You, It Would Not Rain/Passion Flowers/Horse Startled by Lightning/Three Strange Angels/Song of A Man Who Has Come Through. [‘Passion Flowers’ was actually the name of a song Eyeless did very early in the 80ies. ‘Song of a Man who has Come Through’ was the name of a track first planned to be part of All Under the Leaves, the Leaves of Life – guess those songs have been quite changed here … .]
Earlier Martyn Bates wrote: “Last week [in March, 1998], Eyeless started work on our collaboration project with John Everall and Teresa Mills of Tactile … we completed a track for the sampler Cd that will relaunch Sentrax Records (via the US label Invisible initially, then it will be licensed into Europe …). We’re embarking upon a collaboration Cd under the name Creature Box; essentially it’s a vehicle for the hitherto hidden (in recent years) side of what Eyeless In Gaza do … something where a particular aspect of Peter Becker’s fascination can focus, i.e. the drum machines/noise/“industrial” of things … somewhere that I personally can explore this side of my guitar playing technique … John and Teresa providing “hard-edged soundscapes” … check the Eyeless vs. Tactile track on the Tactile remix Cd [see below] for a pointer.” Martyn now (June 16th, 1998) tells me that he and Pete “have practically finished the recordings” for the album and that the album is [was] planned to be released before the end of the year. Martyn adds that “it’s been exhilarating – a chance to let off some steam.”
For those who want to hear what they could expect from the Creature Box album – a compilation track has just been released. Title of the Creature Box track on the Sentrax Sampler Cd Interiors is ‘Horse Startled by Lightning’ – the Cd was released on June 16th, 1997 on Invisible (US)!
The Sentrax Records supremo John Everall and his project Tactile released an album Inscape some time ago. Sentrax Records later released an album Recurrence & Intervention of re-mixes of Tactile-tracks. Eyeless In Gaza contributed a track, ‘Panoleptic’, to this Tactile re-mix project. It was released in January 1997 and was reviewed in Wire magazine. It has been released in the US only, but one could in the past order it from the Sentrax Records homepage.
Saw You in Reminding Pictures – this Cd of more experimental/improvisational Eyeless In Gaza music will be re-released in a non-limited edition on A-Scale (ASR 017) at some time in the foreseeable future. Problems and delays due to circumstances beyond the control of A-Scale have meant that the release date for this project keeps being pushed back and back, but it will happen, in the fullness of time … . (It is not available at all right now.) (Updated April 3rd 1998)
It’s now December 30th, 2020. News and articles are added every now and then, so be sure to check back or join the mailing-lists to ensure that you will get timely news.
Welcome back again!
– Jerry Nilson ()
(editor of these pages)
Comments, questions and suggestions are very welcome.
The crucial support from Martyn Bates is gratefully acknowledged!